Remember Chris Cornell

• REMEMBERING CHRIS CORNELL • • The voice of a generation passed • • Died • May 18th, 2017 •

#POPOLOGIST #POPOLOGY

Christopher John Cornell (né Boyle; July 20, 1964 – May 18, 2017) was an American singer, songwriter and musician best known as the lead vocalist, rhythm guitarist, and primary lyricist for the rock bands Soundgarden and Audioslave. He also had a solo career and contributed to numerous movie soundtracks. Cornell was the founder and frontman of Temple of the Dog, a one-off tribute band dedicated to his late friend Andrew Wood. Several music journalists, fan polls and fellow musicians have regarded Cornell as one of the greatest rock singers of all time.

Across his entire catalog, Cornell sold 14.8 million albums, 8.8 million digital songs, and 300 million on-demand audio streams in the U.S. alone, as well as over 30 million records worldwide. He was nominated for 18 Grammy Awards, winning three. Cornell was ranked No. 4 on the list of "Heavy Metal's All-Time Top 100 Vocalists" by Hit Parader, No. 9 on the list of "Best Lead Singers of All Time" by Rolling Stone, and No. 12 on MTV's "22 Greatest Voices in Music". He was voted "Rock's Greatest Singer" by readers of Guitar World.

Cornell struggled with depression for most of his life. He was found dead in his Detroit hotel room in the early hours of May 18, 2017, after performing at a Soundgarden concert an hour earlier at the Fox Theatre. His death was ruled a suicide by hanging.

Influences, musical style, and vocal ability[edit]

Cornell performing with Soundgarden in 2014

Cornell cited Paul McCartney, XTC, Siouxsie and the Banshees, Ultravox, and Bauhaus as some of the artists he liked.

Cornell's songwriting often features non-standard chord progressions and melodies that do not conform with one diatonic scale. A prominent example is "Black Hole Sun", which not only involves many kinds of open chords and several key changes in short sequences, but also unique melody phrases with large-interval jumps.

A recurrent characteristic is his use of major-only chord sequences ("Pretty Noose"), which also leads to more subtle key changes.

Cornell's most concentrated example of his own songwriting style remains on his first solo album Euphoria Morning, as his subsequent works, whether with Audioslave or on his later solo albums, tend toward the conventional and only occasionally contain short but inventive interludes (e.g., "Like a Stone", "Disappearing Act", "No Such Thing").

Cornell was a baritone, with a vocal range of "nearly" four octaves (from C2 to A5). He had the ability to sing extremely high in the tenor range, as well as in the lower register of a baritone voice. He showcased this in various songs, most notably the studio and the demo versions of "Beyond the Wheel", where he can be heard spanning three octaves. He also experimented with various different vocal styles, ranging from light falsetto, to high falsetto screams, and chants. In addition to singing rock and metal mainly with Soundgarden and Audioslave, Cornell sang the blues, neo-soul and stripped-down acoustic numbers. The New York Times music critic Jon Pareles wrote, "As it rose, higher and higher, Mr. Cornell's voice could sustain a melody through the fray, or it could confront hard-rock turbulence with grunts, rasps, wails, bitter moans and, at the top of his range, full-bodied shrieks that admitted no weakness."

A Brief History of Pelham Puppets

Creating toys wasn’t something Bob Pelham even thought of before the war years, he had intended to return to college as his father would have wished. “I’m not sure when I had the idea for making puppets but while I was in Germany at the end of the war I became known as the ‘Wonky Donkey Officer’ because I used to make little donkeys using wooden beads that could be made to wriggle and dance by strings attached to a small spring base. When I returned home, I simply couldn’t go back to drawing dull old buildings. I wanted to create something that’s as near to being alive as makes no difference.”

The ancestor of hip hop arrives in the capitol of cali, chanting "impact over income!"

#Clackclackclackclack!! #Concertsurfin #krs #teacher #stepintomyworld #hiphop

krs one

Krs-one was born on August 20, 1965, in Brooklyn, New York, and his real name is Lawrence Krisna Parker.

KRS-One first gained fame as a member of the Boogie Down Productions hip hop group in the 1980s. He is known for his socially conscious and politically charged lyrics, which often address issues of racism, poverty, and social injustice. Some of his most famous songs include "South Bronx", "The Bridge Is Over", and "My Philosophy".

In addition to his music career, KRS-One is also an activist and has been involved in various social and political causes over the years. He has been an advocate for education, particularly in the field of hip hop, and has also been involved in efforts to combat police brutality and promote racial justice.

KRS-One continues to be an influential figure in hip hop and is widely regarded as one of the greatest MCs of all time.

"My Philosophy" is a song by Boogie Down Productions, released in 1988. It was written by KRS-One, who is the lead vocalist of the group.

The song's lyrics focus on KRS-One's personal philosophy and his belief in the power of knowledge and education. The chorus of the song is a simple but powerful statement: "You can't change the world unless you change yourself."

In the verses, KRS-One discusses various social and political issues, including racism, poverty, and the criminal justice system. He also addresses the negative influence of drugs and violence in hip hop culture.

The song is notable for its use of a sample from "The Champ" by The Mohawks, which provides the song's distinctive horn riff.

"My Philosophy" is considered one of Boogie Down Productions' most popular and influential songs, and is often cited as a classic of golden age hip hop.

"Sound of da Police" is a song by American rapper KRS-One, released in 1993. The song is known for its catchy beat and powerful lyrics, which focus on the issue of police brutality and systemic racism in law enforcement.

The song's chorus, "Woop-woop! That's the sound of da police!", has become a cultural reference and has been sampled and referenced in numerous other songs and media.

The song's lyrics touch on themes such as racial profiling, police corruption, and the historical mistreatment of Black people by law enforcement. KRS-One's forceful delivery and pointed lyrics make "Sound of da Police" a powerful and memorable track that continues to resonate with audiences today.

"Self Destruction" is a song by KRS-One and the Stop the Violence Movement, released in 1989. The song was a response to the growing problem of violence and gang activity in the African-American community, particularly among young people.

The lyrics of "Self Destruction" encourage listeners to put an end to violence and promote peace and unity instead. The song features contributions from some of the most prominent rappers of the time, including Kool Moe Dee, MC Lyte, Public Enemy, and Doug E. Fresh.

"Self Destruction" was a critical and commercial success, and it helped to raise awareness about the need for nonviolence and community empowerment.

The song remains a powerful reminder of the importance of unity and self-respect, and it continues to inspire young people today to work for positive change in their communities.

KRS-One, also known as "The Blastmaster," is an American rapper, songwriter, and record producer.

KRS-One is considered to be one of the pioneers of hip hop and is known for his socially conscious and politically charged lyrics.

KRS-One first gained fame as a member of the group Boogie Down Productions, which he formed with DJ Scott La Rock in 1986. The group released several influential albums, including "Criminal Minded" and "By All Means Necessary," which addressed issues such as police brutality, racism, and social inequality.

After the death of Scott La Rock in 1987, KRS-One continued to release solo albums and collaborate with other artists. He has been recognized as one of the most influential and innovative figures in hip hop and has won several awards for his contributions to the genre.

Throughout his career, KRS-One has remained committed to using his music to educate and inspire his audience. He has also been involved in various philanthropic and educational initiatives, including the formation of the Temple of Hip Hop, a non-profit organization that promotes hip hop culture and values.KRS-One, also known as "The Teacha", is an American rapper, activist, and philosopher.