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Did You Have The Star Trek Toy by MegO?

This POPOLOGY Toy Spotlight focuses on a true legend in the action figure industry, and an item that many kids had from the 1970’s. When Mego launched their Star Trek toy line in 1974, it was an instant hit. The first wave of items included a few action figures, accessories and one gloriously fun playset. That playset, made for the 8 inch figures, is now considered a iconic toy classic. So without further ado,

… as proud 1st POPOLOGIST I present Mego’s U.S.S Enterprise Playset from 1974.

Hours Of Imaginative Fun
Hours Of Imaginative Fun

By 1974, Mego Toys was quickly becoming a global name in the toy industry. With the World’s Greatest Heroes line already proving to be a huge success, Mego turned their sights on other licenses from the the big and small screens. The original Star Trek television series ran from 1966 to 1969 and spanned 79 episodes. In late 1969, Star Trek began running syndicated episodes in over 200 markets, which sparked a huge revival of interest in the show.

Star Trek became so big, the original actors returned to voice their characters in an Animated Series from 1973 to 1974. Mego took notice of this, and quickly signed Star Trek to a licensing deal for a very reasonable price. Mego had high hopes for the line from the very beginning, and their attention to detail really showed with the first wave of figures and accessories.


Since Star Trek Mania was at a fevered pitch, the Star Trek action figure series turned out to be one of the biggest selling lines that Mego ever produced. It did well enough that additional waves of figures and accessories were released in following years.

The first wave of Star Trek items included five action figures, and a few roleplay accessories such as the Communicator set, a Tricorder, and of course, the Enterprise playset.

The Enterprise was arguably the most successful and best selling playset that Mego had ever created, depending on who you ask. It was available in abundance due to massive production numbers by Mego, but you can’t really blame them. Despite the large production runs, it still sold extremely well.

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The U.S.S Enterprise Action playset was the first one released for the Star Trek line, and would go on to become an icon of that era of toys. The playset itself was not incredibly accurate to the actual bridge from the Enterprise, but it definitely captured the spirit of it, and it was just plain fun.

The Enterprise playset itself could be folded up into a neat and tidy carry case, complete with a handle on top. The set included a computer console with two crew member stools and of course, the captain’s chair. Also included were three different two-sided viewer screens that could be manually changed out. The Enterprise set was basically broken down into three different areas of the ship. The main part was of course, the bridge. This is where you could set up the computer and chairs, along with the view screens. This was the largest area, and could easily accommodate several Star Trek figures. There was a small room to the right of the bridge, which is identified as the “Engine Room”, but has no accessories.


The final section of the playset also happens to be the absolute coolest part of it, the transporter room. A figure would be placed inside the transporter, and then you would spin it by using the spin button on top of it. Then you mash the stop button, and the transporter would come to a sudden stop. Just like that, the figure would disappear…..….or at least be on the other side of the transporter.

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A “Gift Set” version of the Enterprise also exists, and came in a yellow box.

The Gift Set is basically identical to the regular version, but includes the first five figures (Kirk, Spock, McCoy, Scottie, Klingon), and that’s about it. A separate “Transporter Room” was also offered overseas by the Mego subsidiary, Palitoy. This was essentially the same transporter as the one inside the playset, but sold separately. It was actually a nifty piece to have, especially when you wanted to re-create “transporting” from the Enterprise to a planet surface or another ship.

Mego’s U.S.S Enterprise Playset was a huge hit back in the mid 1970’s, and is highly coveted by collectors nowadays. There were a LOT of these sold back in the day, which obviously affects the secondary market value.

Do You Still Have Yours?
Do You Still Have Yours?

The good news is that any collector of Mego or Star Trek needs one of these in their collection. It remains extremely poplar on the secondary market, and still brings good prices. Loose versions of the Enterprise playset can be easily found, and usually sell for affordable prices. Boxed versions can also still be found, but are getting harder and harder to find in a decent shape. Mego really set the bar high for future playsets, and the Enterprise is genuinely considered an all-time classic.


Mego’s USS Enterprise remains the gold standard for what a successful action figure playset looks like. Despite its simplicity, it worked really well, and provided hours of entertainment for children (our POPOLOGY Founder included) from that era. It still holds up extremely well, and if you don’t believe me, just ask kids who loved making their more modern action figures disappear in the transporter room while playing with it.

A big thank you goes out to Mego for their creative ingenuity in putting this classic together and shaping an incredible era of toys.

 
 
 

Mr. Hitchcock, what is your definition of happiness?


Alfred Hitchcock: "A clear horizon — nothing to worry about on your plate, only things that are creative and not destructive and that's within yourself. Within me, I can’t bear quarreling, I can’t bear feelings between people. I think hatred is wasted energy and it’s all non-productive. I’m very sensitive. A sharp word, said by a person who has a temper, if they’re close to me, hurts me for days. I know we’re only human; we do go in for these various emotions, call them negative emotions, but when all these are removed and you can look forward, and the road is clear ahead, and now you’re going to create something. I think that’s as happy as I would ever want to be."


This profound reflection comes from a notable interview conducted by the Canadian Broadcasting Corporation, titled 'A Talk with Alfred Hitchcock.' The interview took place in 1964 as part of the CBC television series Telescope, which was hosted and directed by Fletcher Markle. In this conversation, Hitchcock articulates his deeply personal understanding of happiness, revealing a perspective that is both introspective and remarkably insightful.


Hitchcock's definition of happiness revolves around the concept of a "clear horizon." This metaphor suggests a state of mind where one is free from the burdens of anxiety and conflict. He emphasizes the importance of having "nothing to worry about on your plate," indicating that mental clarity and peace are essential for true happiness. The notion of focusing only on things that are "creative and not destructive" highlights his belief in the power of creativity as a source of joy and fulfillment. In his view, engaging in creative endeavors is not merely a pastime; it is a vital component of a happy existence.


Furthermore, Hitchcock expresses a strong aversion to conflict and negativity, stating, "I can’t bear quarreling." This aversion stems from his sensitivity to interpersonal dynamics and the emotional toll that discord can take. He perceives hatred as a "wasted energy," suggesting that harboring negative feelings is not only unproductive but also detrimental to one's well-being. This perspective reflects a profound understanding of the human condition, acknowledging that while emotions are an inherent part of life, it is crucial to navigate them wisely to maintain one's happiness.


Hitchcock's sensitivity to the words and actions of others is particularly poignant. He mentions that a sharp word from someone with a temper can linger in his mind for days, illustrating how deeply he feels the impact of interpersonal exchanges. This sensitivity underscores the complexity of human emotions and relationships, revealing that even a master of suspense and control like Hitchcock is not immune to the emotional scars that can arise from conflict.


Ultimately, Hitchcock envisions a state where negative emotions are stripped away, allowing for a clear view of the future. The imagery of looking forward and seeing a clear road ahead symbolizes hope and potential. In this state, he believes one can fully engage in the creative process, which he identifies as a key source of happiness. The act of creation, whether in film or other artistic pursuits, becomes a pathway to joy, allowing individuals to express themselves and find fulfillment.


In summary, Alfred Hitchcock's insights on happiness offer a rich and nuanced perspective that resonates beyond his cinematic achievements. His reflections encourage a focus on creativity, emotional clarity, and the importance of nurturing positive relationships, ultimately portraying happiness as a state of being that arises from within oneself and is cultivated through mindful living. This interview remains a significant exploration of not only Hitchcock's artistic philosophy but also the universal quest for happiness in the human experience.


 
 
 

May The 4th Be With You Today & Every Day POPOLOGIST Ambassadors!


“Star Wars” fans around the world are celebrating the space epic this weekend through unofficial, fan-made holiday. A sly nod to one of the films' most popular catchphrases, May the 4th is known as Star Wars Day and has been embraced by businesses and communities over the years. Most #POPOLOGICAL #POPOLOGY

 
 
 
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