Funk, Fun, and Psychedelia: The Secret Sauce of Pigeons Playing Ping Pong

The Rise of Pigeons Playing Ping Pong: From College Jams to National Recognition

In the mid-2000s, on the campus of the University of Maryland, a group of friends came together with one goal in mind—making music that was as fun as it was funky.

Guitarist and vocalist Greg Ormont and fellow guitarist Jeremy Schon started jamming together, blending their shared love of funk, jam, and psychedelic rock. Soon, bassist Ben Carrey and drummer Dan Schwartz joined the mix, and Pigeons Playing Ping Pong was born.

Live From The Big ROom, Sierra NEvada Brewery Chico CA March 18, 2025 filmed by the gooch

The name, as quirky as the band’s high-energy style, was a reflection of their playful and unpredictable musical approach. They weren’t just another jam band—they infused their grooves with humor, explosive energy, and a vibrant stage presence that set them apart from the pack.

Grinding on the Road

and Early Buzz (2009-2013)

Like many jam bands before them, Pigeons honed their craft on the road. They gigged tirelessly, playing house parties, small clubs, and college events. Their infectious, funk-driven sound and wild live performances started earning them a dedicated fanbase—affectionately known as "The Flock."

By 2010, they had released a rough collection of early tracks called Funk E P, which gave a taste of their evolving style. However, it was their debut studio album, Funk (2010), that started turning heads. The record showcased their knack for blending deep grooves, playful lyricism, and improvisational jamming—setting the foundation for what would become their signature sound.

As they continued to tour heavily through the early 2010s, Pigeons started gaining traction on the festival circuit, appearing at small regional festivals and winning over crowds with their boundless energy. The band's relentless touring and reputation as a must-see live act helped them grow steadily, and word of mouth spread fast in the jam scene.

Breakthrough

and National Attention (2014-2016)

By the mid-2010s, Pigeons Playing Ping Pong had solidified themselves as rising stars in the jam and festival world. The release of their second full-length album, Psychology (2014), marked a turning point. It wasn’t just a collection of fun funk tunes—it was a more polished and dynamic record that proved they had depth alongside their onstage antics.

Their reputation grew even stronger as they landed spots at major festivals like Domefest (their own curated festival), Electric Forest, and The Peach Music Festival. Fans started recognizing their signature elements—spaced-out jams, rapid-fire funk guitar licks, and Ormont’s animated stage persona.

By 2016, with the release of Pleasure, Pigeons had officially arrived on the national jam band radar. Their relentless work ethic, infectious live energy, and signature sound had earned them a place alongside modern jam greats like Umphrey’s McGee, The String Cheese Incident, and Aqueous.

From dorm room jams to festival headliners, Pigeons Playing Ping Pong had proven that funk, fun, and pure unfiltered energy could still make waves in the modern music scene. And they were just getting started.

Pigeons Playing Ping Pong (2016-2018): Breaking Through the Jam Scene

By 2016, Pigeons Playing Ping Pong had built a strong grassroots following through relentless touring and high-energy live shows. With the release of their third studio album, Pleasure (2016), the band solidified their reputation as one of the most exciting and unpredictable acts in the jam-funk scene.

Their fanbase, known as “The Flock,” was growing rapidly, and they were no longer just a college-party band—they were becoming festival favorites.

The Touring Explosion & Festival Takeover (2016-2017)

Pigeons had already been road warriors, but from 2016 to 2018, they truly kicked their touring schedule into high gear. They played more than 100 shows per year, hitting nearly every major festival in the jam and funk circuit.

Their appearances at Electric Forest, Summer Camp Music Festival, The Peach Festival, High Sierra, and LOCKN’ helped introduce them to a broader audience beyond their college fanbase.

A key factor in their rise was their ability to blend humor, showmanship, and insane musical chemistry into every performance. Greg Ormont’s high-energy, almost cartoonish stage presence—coupled with Jeremy Schon’s fiery guitar work, Ben Carrey’s deep funk bass, and Alex Petropulos’ tight drumming—made their shows an experience rather than just a concert.

Lineup Change: Enter Alex Petropulos (2017)

One of the biggest shifts during this time was the departure of Dan Schwartz, the band's original drummer. In 2017, Alex Petropulos joined the band, bringing an even tighter and more dynamic rhythm section.

His addition helped refine the band’s sound, allowing them to explore more intricate grooves and improvisations while maintaining their signature high-energy feel.

Pizazz (2017) – Their Breakout Album

In 2017, Pigeons Playing Ping Pong released Pizazz, their most polished and ambitious album yet. Featuring fan-favorite tracks like “Live It Up” and “Doc,” the album showcased a more refined and cohesive sound while still maintaining the unhinged funkiness that made their live shows legendary.

This album marked their true breakthrough into national recognition. It received praise from the jam and funk communities, and more importantly, it helped expand their reach beyond the traditional jam band scene. Their mix of funk, psychedelia, and high-energy rock earned them comparisons to Phish, The Disco Biscuits, and even funk legends like Parliament-Funkadelic.

2018: Headlining Status & National Recognition

By 2018, Pigeons Playing Ping Pong had moved from opening slots and small venues to headlining theaters and larger clubs. They embarked on sold-out tours across the U.S., cementing their reputation as one of the most electrifying live acts in the jam-funk circuit.

They also expanded their own festival, Domefest, which had started as a small gathering but was now attracting thousands of fans. The band’s ability to build a dedicated community of fans made them stand out—The Flock wasn’t just a fanbase, it was a movement.

The Turning Point: Pigeons Playing Ping Pong Becomes a Household Name in the Jam Scene

By the end of 2018, Pigeons Playing Ping Pong had gone from a quirky college jam band to a full-fledged touring powerhouse. They were now regulars on major festival bills, playing alongside titans of the scene like Umphrey’s McGee, The String Cheese Incident, and Twiddle.

Their blend of funk, psychedelic rock, and unfiltered fun was unlike anything else in the jam world. They weren’t trying to be the next Phish or the next Dead—they were carving out their own lane.

With Pizazz earning them new fans and their live show being one of the most talked-about experiences in the jam circuit, Pigeons Playing Ping Pong had officially arrived.

And from there, the only way was up.

Pigeons Playing Ping Pong (2018–2020):

The Road to Bigger Stages & The Pandemic Pause

By 2018, Pigeons Playing Ping Pong had ascended to the top tier of the jam and festival circuit.

They had moved beyond being a rising act and were now a headlining force, known for their explosive live shows, playful energy, and a dedicated fanbase known as The Flock.

With their 2017 album Pizazz still fresh and their live performances reaching new heights, the band entered the next phase of their career—larger venues, massive festival slots, and national recognition beyond the jam scene.

2018–2019: Their Biggest Touring Years Yet

The momentum from Pizazz led Pigeons to their biggest touring years in 2018 and 2019. They continued selling out mid-sized theaters, increasing their Domefest festival attendance, and appearing at major festivals like:

• LOCKN’ Festival

• Bonnaroo

• Electric Forest

• High Sierra Music Festival

• The Peach Festival

• Jam Cruise

These years saw longer sets, extended jams, and more theatrical elements being added to their live shows. The band experimented with psychedelic light shows, themed performances, and elaborate setlists, further establishing their reputation as one of the most fun and unpredictable live acts in the jam scene.

They also started to bridge the gap between the jam and funk worlds, gaining new fans from acts like Lettuce, Galactic, and Vulfpeck.

2019: Presto and a New Sonic Direction

Heading into 2019, Pigeons Playing Ping Pong had their sights set on their next studio project. While Pizazz had been a breakthrough album, the band wanted to push themselves further.

In October 2019, they announced their fifth studio album, Presto, which would be released in January 2020. Unlike previous albums, Presto showcased a tighter, more groove-focused sound while still maintaining the wild, improvisational spirit of their live shows.

Singles like "Dawn A New Day" and "King Kong" became instant fan favorites, and Presto was shaping up to be their most ambitious project yet.

2020: The Pandemic Brings Everything to a Halt

The band kicked off 2020 with a massive tour supporting Presto, playing some of the biggest venues of their career. However, by March, the entire music world came to a screeching halt due to the COVID-19 pandemic.

Just as Pigeons were preparing for a festival-heavy summer, the world went into lockdown. Like many bands, they were forced to cancel tours, postpone Domefest, and put their momentum on pause.

Rather than sit idle, the band quickly adapted.

They embraced the digital shift and started livestreaming performances to keep The Flock engaged. They participated in virtual festivals, played socially distanced shows when possible, and focused on writing new material.

Despite the setbacks, Pigeons remained connected with their fanbase, keeping their unique brand of high-energy funk alive through screens and drive-in shows.

While 2020 was a tough year for live music, Pigeons Playing Ping Pong survived the storm, emerging as one of the jam scene’s most resilient and innovative bands.

Little did they know, the post-pandemic era would only push them further into the spotlight.

Pigeons Playing Ping Pong (2021–2025): Evolution, Resilience, and Musical Milestones

Post-Pandemic Resurgence (2021–2023)

After the global pandemic disrupted live music in 2020, Pigeons Playing Ping Pong (PPPP) made a triumphant return to the stage in 2021.

Embracing the resurgence of live events, they embarked on extensive tours, reconnecting with their dedicated fanbase, affectionately known as "The Flock." Their performances during this period were marked by renewed energy and a profound appreciation for the communal concert experience.

Lineup Changes: Ben Carrey's Hiatus and Zdenek Gubb's Arrival (2024)

In July 2024, bassist Ben Carrey announced a hiatus from touring due to personal reasons.

The band expressed full support for Carrey's decision and temporarily welcomed Zdenek Gubb, formerly of Twiddle, to fill the bassist role. This transition was seamless, with Gubb's style complementing PPPP's dynamic sound.

Live at The Capitol Theatre Album Release (2025)

On April 18, 2025, PPPP released "Live at The Capitol Theatre," a live album capturing their electrifying sold-out performance at the historic venue on February 3, 2024.

The album features a comprehensive setlist, including fan favorites and a unique rendition of The Beatles' "While My Guitar Gently Weeps." The release showcases the band's live prowess and their ability to connect with audiences.

Domefest 2025: A Celebratory Return

After a one-year hiatus, Domefest is set to return from August 7–9, 2025, at ACE Adventure Resort in New River Gorge, West Virginia.

The festival's lineup includes PPPP headlining all three nights, alongside acts like Papadosio and Spafford. This event underscores PPPP's commitment to fostering community and celebrating live music.

Continued Touring and Musical Evolution

Throughout 2025, PPPP continues to tour extensively, bringing their signature high-energy performances to audiences nationwide. Their resilience and adaptability have solidified their status as a mainstay in the jam and funk scenes, with fans eagerly anticipating future projects and live shows.

Ping Ponging

From navigating lineup changes to releasing acclaimed live recordings, Pigeons Playing Ping Pong has demonstrated growth and resilience in the years following the pandemic. Their dedication to their craft and community ensures their continued influence and success in the evolving musical landscape.

Why Pigeons Playing Ping Pong Are So Unique & What the Future Holds

What Makes PPPP Stand Out?

Pigeons Playing Ping Pong (PPPP) aren’t just another jam band—they’re a high-energy fusion of funk, rock, psychedelia, and relentless positivity that sets them apart from the rest of the scene. Here’s what makes them truly unique:

Infectious Energy & Party Atmosphere

Unlike some jam bands that lean into mellow, extended soundscapes, PPPP brings an unmatched party vibe to their shows. Their performances are high-octane, dance-driven, and wildly unpredictable, fueled by frontman Greg Ormont’s boundless enthusiasm and animated stage presence.

Tight, Funk-Infused Jamming

While improvisation is a core part of their music, PPPP’s jams are structured, rhythmic, and groove-heavy rather than meandering. They channel influences from P-Funk, Red Hot Chili Peppers, and Umphrey’s McGee, making their sound both jammy and incredibly danceable.

The Flock: A Passionate, Cult-Like Fanbase

Their fans, known as "The Flock," are as much a part of the PPPP experience as the band itself. This community is devoted, colorful, and always up for a good time—similar to Phish’s Phans or the Deadheads, but with an extra dose of fun-loving silliness.

Domefest: Their Own Personal Music Festival

Unlike most jam bands, PPPP has its own dedicated music festival, Domefest, which they have curated for years. The festival is a celebration of the band’s unique culture and features both up-and-coming acts and jam scene veterans.

Constant Evolution Without Losing Their Identity

Despite lineup changes (such as Ben Carrey’s hiatus and Zdenek Gubb stepping in on bass), PPPP has kept their signature sound while continuing to evolve. Their music has become tighter, their production more refined, and their songwriting more adventurous.

What Does the Future Hold for PPPP?

More Experimental & Ambitious Studio Work

While they are known for their live performances, PPPP has gradually been pushing their studio work forward.

With the success of Presto and Live at The Capitol Theatre, future albums could see them experimenting with more intricate compositions, new sonic textures, and even deeper explorations of funk and psychedelia.

Expanding Their Festival Dominance

Already a staple at jam festivals like LOCKN’, Peach Fest, and Electric Forest, PPPP is poised to become a headlining act at even bigger festivals. They’ve proven they can command large crowds, and their growing reputation could lead to top billing at major events.

Potential Collaborations & Genre Crossovers

As the jam scene embraces more cross-genre collaborations (with EDM, hip-hop, and world music influences), PPPP could step into new territories by working with artists outside their core genre—similar to how bands like The String Cheese Incident have expanded their sound.

Domefest’s Growth & Legacy

With Domefest’s return in 2025, there’s potential for it to become one of the premier jam festivals in the country. PPPP’s role as curators gives them a unique platform to showcase emerging talent while maintaining a deep connection with their fans.

Cementing Their Place as a Jam Scene Mainstay

After years of relentless touring, PPPP has already made an impact on the modern jam band landscape. As they enter their next phase, they could become one of the definitive jam-funk bands of their generation, much like Phish or The Disco Biscuits before them.

Why Seeing Them Live is a Must

If you haven’t seen Pigeons Playing Ping Pong live yet, you’re missing out on one of the most joyous, high-energy, and unpredictable live experiences in the jam world today.

Their blend of tight grooves, insane musicianship, and wild stage presence makes every show an unforgettable dance-fueled spectacle.

With an ever-growing fanbase, a return to full-scale touring, and their continued innovation, PPPP’s future looks brighter than ever.

Whether they’re headlining festivals, dropping new albums, or bringing The Flock together for unforgettable moments, one thing is certain—the party isn’t slowing down anytime soon.

How The Devil Makes Three Revives Old-Time Music with a Modern Edge

The Devil Makes Three: From Humble Beginnings to Their First Album

The Devil Makes Three (TDM3) is a band that emerged from the underground folk-punk scene with a sound that fuses old-time

blues, ragtime, country, bluegrass, and punk energy. Their stripped-down, rhythm-driven approach and dark, whiskey-soaked storytelling have made them a unique force in American roots music.

Humble Beginnings: Busking, Punk Roots & DIY Spirit

The band was formed in Santa Cruz, California in the early 2000s, but its origins trace back to Vermont, where childhood friends Pete Bernhard (guitar/vocals) and Cooper McBean (guitar/banjo/vocals) grew up. They played in punk and rock bands during their teenage years but developed a love for folk, blues, and early American music along the way.

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After high school, Bernhard moved to California, where he met Lucia Turino (upright bass/vocals). With McBean eventually joining them on the West Coast, the trio began busking, playing coffee shops, bars, and small venues, crafting their raw, high-energy acoustic sound with no drummer—just guitar, banjo, upright bass, and foot-stomping rhythms.

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They quickly built a DIY following, relying on word-of-mouth, relentless touring, and grassroots support rather than mainstream industry backing. Their music stood out because it felt like punk rock played on acoustic instruments, delivering fast-paced, darkly humorous storytelling reminiscent of outlaw country and delta blues legends.

Debut Album: The Devil Makes Three (2002)

In 2002, they independently released their self-titled debut album, which captured the raw essence of their live performances and storytelling magic.

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The album was recorded simply and authentically, with no excessive production—just the band’s raw energy, tight harmonies, and rhythmic drive.

Fans of Johnny Cash, Woody Guthrie, and early blues musicians could hear their influence, but there was also something modern, rebellious, and uniquely The Devil Makes Three in their sound.

The debut album gained a cult following, especially in Santa Cruz and other underground folk scenes, laying the foundation for their future success. Their ability to blend old-time music with punk spirit would only grow stronger in their later albums.

The Devil Makes Three: The Beginning (2003)

The year 2003 was a defining moment for The Devil Makes Three—a band that would go on to carve its own gritty, foot-stomping path in the world of Americana, folk, and punk-infused bluegrass.

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But at the start of that year, they were still three musicians hungry to be heard, playing anywhere that would have them, fueled by the restless energy of a band that knew they had something special.

The Road to the Debut Album

At the core of the group were Pete Bernhard, Cooper McBean, and Lucia Turino—a trio bound by their shared love of old-time music, folk storytelling, and a rebellious punk spirit.

They weren’t trying to fit into the polished, radio-friendly folk revival that was starting to bubble up in the early 2000s. Instead, their sound was raw, percussive, and soaked in the same whiskey-stained traditions that once fueled outlaws, ramblers, and drifters.

The three musicians had first met in Vermont, where Pete and Cooper had grown up. The two had been friends since high school, swapping music and ideas before deciding to take their passion on the road. They eventually landed in Santa Cruz, California, where they found a thriving underground music scene—one that embraced the band's genre-defying style.

Lucia Turino, a skilled upright bassist, joined them, adding a deep rhythmic pulse that set their sound apart. With no drummer, their instrumentation relied on the thump of the bass, the chugging energy of acoustic guitars, and Pete’s raspy, storyteller vocals.

They were just as much at home playing in dive bars as they were on the streets, where they busked to earn enough money to keep going.

Recording the Self-Titled Album

By 2003, The Devil Makes Three had built a cult following in Santa Cruz. They had a reputation for electrifying live performances—audiences stomped and clapped along as if they were at an old-time barn dance infused with punk attitude.

That year, the band self-released their debut album, The Devil Makes Three, a record that perfectly captured their raw, unfiltered energy.

The album featured songs that would become staples of their career:

• "Old Number Seven" – A whiskey-soaked anthem that would become one of their most recognizable songs.

• "Graveyard" – A song that perfectly blended folk storytelling with the band’s dark, mischievous lyricism.

• "The Plank" – A track that showcased their punk-meets-old-timey energy, with lyrics that felt like they were ripped from the pages of a dusty outlaw novel.

  
  

The recording process was simple, unpretentious, and true to their roots—they didn’t have a major label backing them, no big-budget studio, just a band that wanted to capture the fire of their live shows in a way that felt authentic.

The Underground Rise

After releasing their self-titled album, The Devil Makes Three hit the road hard. They toured relentlessly, playing DIY venues, bars, house shows, and any stage that would take them. Their music started spreading beyond Santa Cruz—word-of-mouth, burnt CDs, and underground music forums helped introduce their sound to new audiences who were craving something raw and real.

2003 was the year they went from local heroes to underground legends, setting the foundation for the following decades of independent success, festival slots, and a dedicated fanbase that would grow with them over time.

The Devil Makes Three: On the Road (2004-2005)

By 2004, The Devil Makes Three was no longer just a scrappy local band playing Santa Cruz dive bars—they were a force on the road, carving out a reputation for delivering electrifying performances in basements, smoky bars, and anywhere with a wooden floor sturdy enough to handle a stomping crowd.

Their self-released 2002 debut album had begun spreading like wildfire, passed from fan to fan through burned CDs, word-of-mouth, and the emerging underground folk-punk scene. The band—Pete Bernhard (guitar, vocals), Cooper McBean (guitar, banjo, vocals), and Lucia Turino (upright bass, vocals)—was hungry to keep pushing forward.

2004: Living on the Road

With no record label and no industry machine behind them, The Devil Makes Three did what they did best: they hit the road and stayed there.

They lived the classic DIY musician’s life—cramming themselves and their gear into whatever vehicle they could afford to keep running, sleeping on couches, and playing show after show to grow their fanbase the old-fashioned way.

Their sound—a gritty fusion of old-time folk, blues, ragtime, and punk energy—was unlike anything most people had heard before. Their audiences weren’t just bluegrass or Americana fans; they were drawing in punk kids, metalheads, folk purists, and everyone in between.

They crisscrossed the West Coast, playing in cities like San Francisco, Portland, Seattle, and Los Angeles, as well as smaller towns where their music resonated with anyone who loved raw, unfiltered storytelling set to driving rhythms.

Fans started showing up to multiple gigs, following the band from city to city.

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But touring wasn’t easy—venues weren’t always welcoming to a band that didn’t fit neatly into a single genre. Some places didn’t know whether to book them on punk nights, folk nights, or country nights. But that was their magic—they belonged everywhere and nowhere, and they thrived in the in-between.

2005: A New Album & a Growing Fanbase

By 2005, the non-stop touring was paying off. The Devil Makes Three had built a cult following across the West Coast and beyond, with devoted fans who loved their live shows just as much as their debut album.

That year, they released "Longjohns, Boots and a Belt", their second independent album. It was a live recording, capturing the raw, stomping energy that had made their concerts legendary.

They didn’t have the luxury of big recording studios or polished production, but they didn’t need it. This record was pure Devil Makes Three—no-frills, no gimmicks, just pure, infectious, foot-stomping music.

The album included:

• "Beneath the Piano" – A fan-favorite, showcasing Pete’s signature dark storytelling and gritty vocal delivery.

• "Ocean" – A haunting, stripped-down song that highlighted the band’s deep connection to traditional folk and blues storytelling.

• "Nobody’s Dirty Business" – A rollicking, old-timey tune with a mischievous edge that fit perfectly into their growing catalog.

With the success of the new album, The Devil Makes Three expanded their touring territory, pushing further into the Midwest and East Coast.

They started picking up steam in places like Colorado, Texas, and Tennessee, where their unique sound caught the attention of bluegrass lovers, punk rockers, and alternative music fans alike.

At this point, their shows were no longer just small bar gigs—they were packing rooms, and their fans were showing up knowing every word to their songs.

The DIY Spirit & Legacy of 2004-2005

Through 2004 and 2005, The Devil Makes Three proved that a band could build something real without major label backing or industry gatekeepers. They were a touring powerhouse, relying on sheer determination, incredible live performances, and a dedicated fanbase to keep them going.

These years set the foundation for their eventual breakthrough—while they were still very much an underground band, the seeds they planted during this relentless era of touring and self-releasing albums would eventually grow into something much bigger.

The Devil Makes Three: The Road to Cult Status (2006-2011)

By 2006, The Devil Makes Three had become a name whispered in the underground, passed along by die-hard fans who swore by their fiery, boot-stomping live shows.

Their relentless DIY touring, word-of-mouth fanbase, and raw energy had turned them into something more than just another folk trio. They were becoming a movement—a bridge between old-time Americana and the unbreakable spirit of punk.

But they were still outsiders.

The music industry didn’t quite know what to do with them. They weren’t bluegrass enough for the traditionalists, not country enough for Nashville, and too rootsy for the indie-rock scene. But they didn’t need permission to carve out their place. They just kept playing.

2006-2008:

"A Little Bit Faster and a Little Bit Worse"

By 2006, the trio—Pete Bernhard (guitar, vocals), Cooper McBean (guitar, banjo, vocals), and Lucia Turino (upright bass, vocals)—were road warriors. They had spent the last few years touring almost non-stop, playing sweaty, sold-out shows in bars, clubs, and festivals across the U.S. Fans followed them from city to city, and their audience was no longer just West Coast punks and folk lovers—they were picking up steam nationwide.

That year, they released "A Little Bit Faster and a Little Bit Worse", another live album that perfectly captured their signature sound: dark, gritty, and full of whiskey-soaked storytelling.

This wasn’t polished, studio-perfected bluegrass. It was rough, unfiltered, and pulsing with energy—exactly how their fans loved them.

Songs like "Tow" and "For Good Again" became underground anthems. The band wasn’t just playing music; they were telling the stories of outlaws, drifters, and the beautifully broken.

Their fanbase kept growing. They weren’t getting radio play, and they weren’t signed to a major label—but they didn’t need it. Their music spread through live shows, bootleg recordings, and the internet, where fans in distant cities were discovering them for the first time.

2009-2010:

Do Wrong Right – The Breakthrough Album

Everything changed in 2009 when The Devil Makes Three released their first true studio album in years:➡ "Do Wrong Right"

It was their biggest album yet, packed with some of their most beloved songs:

• "Do Wrong Right" – A title track that became their mission statement, embracing the idea that life isn’t always about following the rules.

• "All Hail" – A fast, driving song that felt like a rallying cry for outsiders.

• "Gracefully Facedown" – A drinking song with swagger and wit, embodying the rowdy spirit of their live shows.

This album was a turning point. More people were paying attention. They started landing bigger festivals, from bluegrass gatherings to punk-adjacent festivals where fans weren’t afraid to stomp along. New audiences were finding them, and longtime fans were feeling vindicated—The Devil Makes Three was finally getting the recognition they deserved.

By 2010, the band’s live shows were at another level. The crowds were bigger, rowdier, and more devoted than ever. They weren’t just an underground favorite anymore—they were headlining their own tours, and their album hit #1 on the Billboard Bluegrass charts.

2011: Cementing Their Legacy

By the time 2011 rolled around, The Devil Makes Three was no longer just a band you stumbled across—they were a must-see act. Their reputation as a live powerhouse had cemented them as one of the most exciting bands in the folk and Americana scene.

They weren’t a household name yet, but they had something more powerful than mainstream success:➡ A fiercely loyal fanbase that had been with them since the early days.

Their shows had evolved into something almost spiritual, a gathering of outsiders, misfits, and lovers of raw, unpolished music. They had built their own world, one where punk rockers and bluegrass purists stood side by side, stomping their boots to the same rhythm.

2006-2011: The Legacy of These Years

• From an underground band to a headlining act

• DIY to #1 on the Bluegrass charts

• A growing cult following that would last for decades

This was the era that made The Devil Makes Three who they are today.

The Devil Makes Three: From Cult Heroes to Americana Icons (2012-2019)

By 2012, The Devil Makes Three was no longer a secret whispered between folk-punk purists and underground music lovers. They were becoming something bigger—a band that transcended genres, playing to audiences that felt more like family than fans.

The years of relentless touring had paid off. They had gone from playing small bars and DIY spaces to headlining major festivals and selling out iconic venues. Their sound—gritty, unpolished, soaked in old-time blues, ragtime, and outlaw country—was connecting with people in a way that felt both timeless and urgent.

But they weren’t done yet.

2013-2014: I’m a Stranger Here – A New Era

The Devil Makes Three had built their reputation on their raw, stripped-down acoustic energy, but for their next album, they wanted to take things to the next level.

In 2013, they released "I’m a Stranger Here", their first studio album with a full producer-led recording session, helmed by the legendary Buddy Miller (who had worked with luminaries like Emmylou Harris and Robert Plant).

This album was different. Darker. Fuller. It still had the Devil Makes Three DNA—storytelling that felt like whiskey-soaked folklore—but now it was backed by a rich, textured sound that expanded their sonic world.

Tracks like:

• "Stranger" – A brooding, haunting song that captured the loneliness of wandering.

• "Spinning Like a Top" – A rolling, hypnotic tune that felt like a dizzying trip through the band's own history.

• "Hallelu" – A fan favorite that pulsed with bluesy, gospel-infused energy.

The album debuted at #1 on the Billboard Bluegrass Chart and solidified their place as one of the most exciting bands in Americana. They weren’t just an underground sensation anymore—they were charting, playing bigger festivals, and reaching a whole new audience.

And, of course, they kept touring like mad.

2015-2016:

Redemption & Ruin – A Tribute to Their Roots

After years of writing their own stories, The Devil Makes Three decided to pay tribute to the music that shaped them.

In 2016, they released "Redemption & Ruin", an album made entirely of covers—songs that had influenced their sound from the beginning. It was a love letter to American roots music, divided into two halves: songs of sin and songs of salvation.

With covers of legends like Tom Waits, Willie Nelson, and Muddy Waters, this album felt both personal and universal. They were tipping their hats to the past while showing just how much their own music had become part of that lineage.

This album resonated deeply with fans and critics alike. It hit #1

on the Bluegrass charts, and the band played some of their biggest shows yet.

2017-2018: Chains Are Broken – A Full Evolution

By 2018, The Devil Makes Three had spent nearly two decades on the road. Their fans had followed them from dingy bars to massive festivals, and their music had evolved with them.

They had always been an acoustic powerhouse, but now they were ready to bring in something they had resisted for years:

➡ Electric guitars.

Their 2018 album "Chains Are Broken" was a turning point. It was their first fully plugged-in studio record, adding drums and electric instrumentation for the first time in their career.

It wasn’t a departure—it was an evolution. The songs still carried their signature outlaw spirit, but the sound was bigger, bolder, and more expansive than ever before.

Tracks like:

• "Paint My Face" – A haunting, introspective song that felt like a ghost story set to music.

• "Bad Idea" – A rowdy, rebellious anthem that captured their punk-meets-Americana spirit.

• "Pray for Rain" – A slow-burning, bluesy track that showcased their storytelling at its finest.

The album took them to a whole new level, earning critical acclaim and expanding their audience beyond anything they had imagined.

Gracefully Facedown - Recorded by gooch March 4 2025 Ace of Spades Sacramento CA

2019: A Legacy Cemented

By the time 2019 rolled around, The Devil Makes Three was no longer just a cult favorite. They were a defining act in modern Americana, headlining major festivals and touring with some of the biggest names in the scene.

They had built their career their way—without major label backing, without chasing trends, and without compromising their sound.

Now, they had:✅ Multiple #1 albums on the Billboard Bluegrass charts✅ A dedicated, die-hard fanbase across the world✅ A reputation as one of the best live bands in the business

And the road wasn’t over yet.

The Devil Makes Three: A Crossroads in the Storm (2020 – The Pandemic & Lucia’s Departure)

By early 2020, The Devil Makes Three had cemented their place as one of the most respected bands in the Americana and roots music world.

They had spent nearly two decades carving out their sound—gritty, rebellious, and deeply rooted in the traditions of folk, blues, and old-time music. Their latest album, Chains Are Broken (2018), had brought them into new sonic territory, introducing electric guitars and fuller production, yet they remained as raw and unfiltered as ever.

Graveyard - Recorded by gooch March 4 2025 Ace of Spades Sacramento CA

They were touring relentlessly, as they always had, playing to packed houses and devoted fans who sang along to every word. The live shows were their heart and soul. But just as another year of touring loomed ahead, the world changed overnight.

The Road Comes to a Halt (Early 2020)

By March 2020, COVID-19 shut down the music industry. Venues closed. Tours were canceled. The festival circuit—the lifeblood of bands like The Devil Makes Three—was wiped out in an instant.

For a band that thrived on the energy of the crowd, the stomp of boots on barroom floors, the sweat and chaos of a live set, this was an existential crisis. The road had been their home for nearly two decades. Now, suddenly, it was gone.

Like many musicians, they had to adjust. They played a few live-streamed shows, but it wasn’t the same. The Devil Makes Three was built for the road, and without it, something felt lost.

And then, in the midst of it all, came another blow.

Lucia Turino Says Goodbye

In late 2020, longtime bassist Lucia Turino announced she was leaving the band.

Lucia had been there since the very beginning. Her upright bass playing was a defining piece of the band’s sound—that deep, percussive thump that held everything together. But more than that, she was part of the family, a cornerstone of the trio’s chemistry.

After years of relentless touring, the pandemic gave her time to reflect, and she made the tough decision to step away from the road. She was ready for a different chapter in her life.

Fans were heartbroken, but there was nothing but love between Lucia and the band. She had been there for the entire journey—from the scrappy DIY tours to festival stages, from dive bars to sold-out crowds. Now, it was time for a new path.

With Lucia’s departure, the very foundation of The Devil Makes Three had shifted.

An Uncertain Future (Late 2020 - 2021)

For the first time in their career, Pete Bernhard and Cooper McBean faced the uncertainty of what came next.

Would they continue as The Devil Makes Three?Would they find a new bassist?

Would they even be able to tour again with the world still in chaos?

Everything was up in the air.

Half As High - Recorded by gooch March 4 2025 Ace of Spades Sacramento CA

But if there was one thing that had defined The Devil Makes Three from the beginning, it was their ability to adapt, to keep going against the odds.

The Devil Makes Three: Resurgence and Renewal (2022–2025)

In the wake of bassist Lucia Turino's departure in late 2020, The Devil Makes Three faced an uncertain future.

The pandemic had already halted their relentless touring schedule, and losing a foundational member added to the uncertainty. However, the band's resilience and commitment to their craft set the stage for a period of transformation and revival.

2022: Embracing Change with MorganEve Swain

Determined to continue their musical journey, founding members Pete Bernhard and Cooper McBean sought a bassist who could seamlessly integrate into their unique blend of Americana, folk, and blues.

Their search led them to MorganEve Swain, a seasoned musician known for her work with bands like Brown Bird. Swain's proficiency with the upright bass and her rich musical background made her an ideal fit for the trio.

With Swain on board, The Devil Makes Three embarked on a series of intimate performances, reintroducing themselves to audiences and testing new material. These shows not only solidified the new lineup but also rekindled the band's passion for live performance.

2023–2024: Crafting 'Spirits'

Inspired by their renewed synergy, the trio retreated to Dreamland Recording Studios in Hurley, NY, to work on new material.

I LOVE DOING DRUGS - Recorded by gooch March 4 2025 Ace of Spades Sacramento CA

Collaborating with producer Ted Hutt—renowned for his work with Dropkick Murphys and Old Crow Medicine Show—they aimed to capture the raw energy of their live shows while exploring new sonic territories.

The result was 'Spirits', a 13-track album that delved into themes of resilience, transformation, and the human experience. Scheduled for release on February 28, 2025, 'Spirits' marked their first studio album in seven years, following 2018's 'Chains Are Broken'.

2025: A Triumphant Return to the Stage

To coincide with the album release, The Devil Makes Three announced a world tour, signaling their return to the global stage. Partnering with the Bridge City Sinners as support, the tour was set to traverse multiple continents, bringing their revitalized sound to both longtime fans and new audiences.

The tour's announcement was met with enthusiasm, with pre-sales starting on October 23, 2024. Fans eagerly anticipated the opportunity to experience the band's new dynamics and the fresh tracks from 'Spirits' performed live.

Lights on ME - Recorded by gooch March 4 2025 Ace of Spades Sacramento CA

Legacy and Evolution

The period from 2022 to 2025 showcased The Devil Makes Three's ability to adapt and evolve. Embracing change with the addition of MorganEve Swain, they not only honored their roots but also ventured into new artistic realms. 'Spirits' stands as a testament to their enduring spirit and commitment to authentic storytelling through music.

As they embark on their 2025 world tour, The Devil Makes Three continues to solidify their legacy as innovators in the Americana scene, demonstrating that growth often arises from embracing change and facing challenges head-on.

Old Number Seven - And We Bid You Goodnight - Recorded by gooch March 4 2025 Ace of Spades Sacramento CA

The Legacy of The Devil Makes Three: Why They Stand Apart

For over two decades, The Devil Makes Three has carved out a space in the Americana and folk-punk scene that no one else quite occupies.

Their sound is deeply rooted in old-time blues, ragtime, and folk, yet infused with a punk ethos that makes their music feel raw, immediate, and unfiltered. While many contemporary Americana bands lean into polished production, The Devil Makes Three thrives in a gritty, boot-stomping, barroom storytelling tradition that feels both timeless and rebellious.

Spirits - Recorded by gooch March 4 2025 Ace of Spades Sacramento CA

Why They’re Unique

A Punk Soul in an Old-Time BodyWhile their instrumentation (guitar, banjo, upright bass) suggests traditional folk, their energy is pure punk attitude. They play with frenetic urgency, stripping away excess production and instead relying on the sheer force of rhythm, storytelling, and dynamic interplay.

Dark Storytelling & Gritty ThemesThe Devil Makes Three’s lyrics explore outlaws, sinners, lost souls, and broken dreams. Their songs often feel like dusty tales from a wandering bard,

blending dark humor, cautionary tales, and poetic tragedy—a style that resonates deeply with their devoted fanbase.

The Bullet - Recorded by gooch March 4 2025 Ace of Spades Sacramento CA

No Drummer? No Problem.One of their most defining traits for years was their ability to drive intense rhythms without percussion—a rarity in high-energy music. Instead, their upright bass and tight string work provided all the percussive force needed, making their sound more organic and unique.

DIY Ethics & Live Performance MagicFrom the beginning, The Devil Makes Three built their reputation on relentless touring, grassroots promotion, and an underground cult following rather than relying on mainstream radio play. Their live performances have always been the heartbeat of their success.

The Dark Gets the best of you - Recorded by gooch March 4 2025 Ace of Spades Sacramento CA

What to Expect Seeing Them Live Today (2025)

If you’ve never seen The Devil Makes Three live, be ready for a high-energy, immersive experience—even in their latest incarnation with MorganEve Swain on bass. Here’s what makes their live shows unforgettable:

A Raucous, Rowdy CrowdTheir fans don’t just watch the show—they become part of it. Expect to see boots stomping, people howling along to every lyric, and a room full of energy that turns any venue into an old-time barn-dance-meets-punk-rock-show.

The Groove-Heavy, Driving RhythmEven with their stripped-down setup, their ability to create infectious, relentless rhythms is unmatched. Pete Bernhard’s rhythmic guitar playing, Cooper McBean’s banjo flourishes, and Swain’s steady bass work make for a sound that feels bigger than the sum of its parts.

THere'll Be a jubilee - Recorded by gooch March 4 2025 Ace of Spades Sacramento CA

Setlist Balancing the Old and the NewFans can expect a mix of classics like “Old Number Seven,” “Graveyard,” and “Do Wrong Right,” alongside new material from their upcoming album Spirits (2025). The newer songs are expected to incorporate a slight evolution in sound while maintaining that signature DM3 grit.

No Flash, All SubstanceThere’s no over-the-top production, no fancy light shows—just three musicians, a few instruments, and raw musical power. Every show feels intimate, even in larger venues.

The Legacy They’re Building

With the release of Spirits and their 2025 world tour, The Devil Makes Three is proving that they’re far from done.

Their commitment to storytelling, their punk-meets-Americana ethos, and their ability to evolve without losing their core identity makes them one of the most authentic and respected acts in the folk/Americana world.

If you’re lucky enough to see them live this year, expect a gritty, foot-stomping, soul-shaking experience—one that reminds you why live music still holds its magic.

AJ Lee & Blue Summit: Blending West Coast Vibes with Bluegrass Roots

The Story of AJ Lee & Blue Summit: From Child Prodigy to Bluegrass Trailblazer

The sun was high over Northern California, its golden light spilling over a small gathering of musicians on a wooden stage.

A little girl, no older than Six, clutched a ukulele nearly half her size, her fingers pressing against the strings with surprising precision.

The moment she opened her mouth, the crowd stilled. Her voice, high and sweet, carried the weight of something far beyond her years.

Recorded Live March 14, 2025 Chico Womens Club, Chico CA by The Gooch - SET One

This was AJ Lee’s first taste of bluegrass, and though she might not have known it then, she was already walking a path that would lead her to become one of the most respected voices in modern bluegrass.

Recorded Live March 14, 2025 Chico Womens Club, Chico CA by The Gooch - SET TWO

A Star in the Making

Born AIssa Joelle Lee AJ was raised in a household where music was more than just a pastime—it was a way of life.

Her mother played in a bluegrass band, filling their home with the sounds of Bill Monroe, Alison Krauss, and Tony Rice. By the time AJ was six, she wasn’t just listening—she was playing.

The ukulele became an extension of herself, and her voice carried the kind of raw emotion that even seasoned musicians longed to capture.

Festivals became her second home. At first, she was the little girl who charmed audiences with her talent.

But soon, she was more than a novelty—she was a serious musician. As a pre-teen, she joined The Tuttles with AJ Lee, a family band that featured the now-famous Molly Tuttle, her brothers, and their father.

Together, they traveled from festival to festival, leaving crowds in awe of their skill and chemistry.

It wasn’t long before AJ began winning awards, collecting nine Northern California Bluegrass Society “Best Female Vocalist” titles before she was even in her twenties. She was no longer just a promising talent—she was one of the best young bluegrass singers in the country.

Breaking the Mold: The Birth of Blue Summit

Despite her deep love for traditional bluegrass, AJ had a restless creativity that pushed her toward something new. She wanted to explore different sounds, to tell her own stories, and to shape a band that could bring a fresh voice to the genre.

In 2015, she formed Blue Summit, assembling a group of like-minded musicians who could bring her vision to life.

Guitarist Sully Tuttle (Molly Tuttle’s brother), bassist Chad Bowen, fiddler Jan Purat, and guitarist Jesse Fichman joined her, and together they began crafting a sound that was distinctly their own.

Unlike many bluegrass bands that strictly adhered to tradition, Blue Summit wove elements of swing, jazz, and folk into their music. As Blue Summit became AJ's School where she honed her chops and stage presence.

Audiences who came expecting another bluegrass band left realizing they had witnessed something different—something special.

The Breakthrough Moment

For years, they played small clubs, festival campgrounds, and any stage that would have them, building a dedicated following. Then, in 2019, they released their debut album, "Like I Used To."

It was more than just an album—it was a statement. The record showcased AJ’s growth as a songwriter, proving she wasn’t just a great singer—she was a storyteller. The songs carried the soul of bluegrass but the heart of something modern, appealing to both traditionalists and new listeners alike.

The album caught fire. Festivals started booking them as to play main stage, industry professionals took notice, and fans who had followed AJ since childhood watched as she finally stepped into the national spotlight.

From a mandolin-wielding prodigy to the leader of one of the most exciting bluegrass bands today, AJ Lee had carved her own place in music history. And as she and Blue Summit continue to evolve, one thing is certain—their story is far from over.

AJ Lee’s Early Standout Performances: A Rising Star in Bluegrass

Before AJ Lee & Blue Summit came to life, AJ was already making waves in the bluegrass world as a young prodigy.

Her earliest performances were not just impressive for her age—they were genuinely remarkable by any standard. Here are some of the key performances that made her stand out before Blue Summit was formed:

1. Winning Hearts at The Good Old Fashioned Bluegrass Festival (2005-2010)

One of AJ’s earliest breakthroughs came on the stages of The Good Old Fashioned Bluegrass Festival in California, hosted by the Northern California Bluegrass Society.

She performed here multiple times throughout her childhood, earning a reputation as the “little girl with the big voice.”

Even at age 7 or 8, her command of bluegrass standards like "Blue Moon of Kentucky" and "Nine Pound Hammer" stunned audiences.

It wasn’t just the novelty of a child singing—she delivered with the emotion, phrasing, and depth of a seasoned performer. Fans and musicians alike recognized that she wasn’t just talented—she was something special.

Her performances at this festival led to her first major award—being named Best Female Vocalist by the Northern California Bluegrass Society for the first time. She would go on to win this title nine times in the following years.

2. Playing with The Tuttles: A Family Band That Turned Heads (Mid-2000s)

By the time she was 10 or 11, AJ had joined The Tuttles with AJ Lee, a bluegrass band that included Molly Tuttle, her father Jack Tuttle, and Molly’s brothers.

One of their most standout performances was at the Father’s Day Bluegrass Festival in Grass Valley, where the band showcased mind-blowing harmonies, intricate picking, and AJ’s powerhouse vocals.

Audiences were particularly drawn to AJ's take on "Dark Hollow" and "Angeline the Baker."

Performing with the Tuttles, AJ quickly became a festival favorite. She held her own alongside Molly Tuttle, a guitarist who would later go on to become a Grammy-winning bluegrass artist. The chemistry between them was undeniable, and they both helped each other shine.

Their YouTube videos from this era went viral in bluegrass circles, further cementing AJ’s reputation as a rising star.

3. Breaking Out on the National Scene: The International Bluegrass Music Association (IBMA) Performances

As her reputation grew, AJ started getting invited to perform at larger events, including the IBMA (International Bluegrass Music Association) showcases.

At just 12 years old, she took the stage at IBMA’s Kids on Bluegrass showcase, performing alongside some of the most talented young bluegrass musicians in the country.

The audience—full of industry professionals, veteran musicians, and festival bookers—watched in awe as this young girl sang with the confidence and soul of someone far beyond her years.

Her standout performances at IBMA caught the attention of prominent bluegrass figures, and many predicted she would become one of the next big voices in the genre.

4. Winning First Place at the California State Old Time Fiddle & Picking Championships (2010s)

Another major milestone came when AJ entered the California State Old Time Fiddle & Picking Championships.

Competing in the mandolin picking category, she blew away the competition—not just with speed and technique, but with musicality, tone, and feel.

This victory solidified her reputation not only as a vocalist but as one of the most talented young instrumentalists in bluegrass.

5. Early Studio Work & Viral Covers

Even before forming Blue Summit, AJ was making waves in the studio. Her collaborations with The Tuttles led to several recorded performances that gained traction online.

One of the most notable was her version of "Landslide" by Fleetwood Mac, which showcased her ability to bridge traditional bluegrass with folk and contemporary influences.

Her YouTube performances of bluegrass classics and original songs introduced her to a global audience, with many discovering her music through these early recordings.

The Making of a Legend

Before forming Blue Summit, AJ Lee had already built a name for herself in the bluegrass world. Her festival performances, award-winning musicianship, and viral recordings all contributed to her eventual rise as a leader in the genre.

By the time Blue Summit was formed in 2018, AJ was no longer just a promising young talent—she was already a recognized force in bluegrass.

The First Lineup of AJ Lee & Blue Summit and Their Road to Their First Album

By the time AJ Lee & Blue Summit officially formed in 2018, AJ was already a well-known name in the California bluegrass scene.

She had grown up on festival stages, honed her skills with The Tuttles with AJ Lee, and won multiple awards as a vocalist and mandolin player. However, she wanted something different—a band of her own, where she could explore new musical directions while staying rooted in bluegrass.

That vision became a reality when she brought together a group of like-minded, talented musicians from the West Coast bluegrass scene, forming what would become one of the most innovative and exciting young bluegrass bands of their generation.

The First Lineup of Blue Summit (2015-2019)

The original lineup of Blue Summit was composed of musicians who shared AJ’s love for bluegrass but were also eager to push the genre’s boundaries:

1. AJ Lee – Lead vocals, mandolin, and songwriter

2. Sully Tuttle – Guitar, vocals (brother of Grammy-winning artist Molly Tuttle)

3. Jesse Fichman – Guitar, vocals

   
   
   
   

This core group of musicians built the sound of Blue Summit—a sound that was rooted in bluegrass but incorporated folk, swing, jazz, and indie influences.

From Festival Stages to a Rising Force in Bluegrass (2015-2019)

Blue Summit started off playing local venues, smaller bluegrass festivals, and California music events, gradually building a dedicated following. Their tight harmonies, virtuosic instrumentals, and AJ’s soulful voice set them apart from other young bluegrass bands.

They gained national attention with standout performances at:

• Strawberry Music Festival

• The Father’s Day Bluegrass Festival

• Delfest

• The International Bluegrass Music Association (IBMA) showcases

Each of these performances helped them establish their reputation as one of the most exciting young bluegrass bands in the country.

The band’s ability to blend traditional bluegrass with modern influences appealed to both hardcore bluegrass fans and newer audiences, making them festival favorites.

The Breakthrough: Their First Album – "Like I Used To" (2018)

After four years of refining their sound and gaining a following, AJ Lee & Blue Summit released their debut album, Like I Used To, in August 2019.

What Made This Album Special?

• It was the first full-length project where AJ showcased her songwriting ability, proving she wasn’t just an incredible vocalist but also a powerful lyricist.

• The album blended classic bluegrass instrumentation with a more modern, singer-songwriter approach, making it appealing to both bluegrass traditionalists and indie-folk fans.

• Songs like "Like I Used To" and "Put Your Head Down" demonstrated their genre-blurring sound, featuring swing-infused melodies and introspective lyrics.

The album was met with critical acclaim, with many praising it as a fresh and exciting take on bluegrass.

The Impact of Their First Album

Following the release of Like I Used To, Blue Summit's career skyrocketed:

✅ They played major festivals (not on stages yet) across the country.

✅ They started touring nationally, reaching new audiences outside of California

.✅ AJ Lee cemented herself as one of the most promising young voices in bluegrass.

The album was a turning point, proving that AJ Lee & Blue Summit were not just another bluegrass band—they were innovators shaping the future of the genre.

A New Era for Blue Summit

The release of Like I Used To marked the end of Blue Summit’s early years and the beginning of a new chapter. As they continued to evolve, they embraced even more influences, pushing their sound further while still honoring their bluegrass roots.

AJ Lee & Blue Summit (2018-2019): Band Changes, Albums, and Touring Growth

Between 2018 and 2019, AJ Lee & Blue Summit evolved from a rising bluegrass act into a nationally recognized band. This period saw lineup changes, the release of their debut album, and major touring milestones that helped establish them as a force in modern bluegrass.

Band Changes: A Shift Toward Stability (2018-2019)

While AJ Lee & Blue Summit had been active since 2015, the lineup wasn’t fully solidified until around 2018-2019.

Core Members (2019 and beyond)

By the time they released their first album in 2019, the core lineup had settled into:

1. AJ Lee – Lead vocals, mandolin, songwriter

2. Sully Tuttle – Guitar, vocals (brother of Molly Tuttle)

3. Jesse Fichman – Guitar, vocals

4. various touring bass players sat in – Bass
   

   **Jan Purat – (joined shortly after 2019)

   
   

This lineup brought stability to the band and helped shape their signature bluegrass-meets-Americana sound, blending traditional and modern influences.

2019: The Release of Like I Used To

After years of performing and honing their sound, AJ Lee & Blue Summit released their debut album, Like I Used To, in August 2019.

Why This Album Was a Big Deal

• First full-length studio album showcasing their mix of bluegrass, folk, and swing influences.

• AJ’s songwriting took center stage, proving she was more than just an incredible vocalist.

• Songs like "Like I Used To" and "Put Your Head Down" showed their genre-fluid style—bluegrass roots with a modern storytelling approach.

The album was critically well-received, earning praise for its tight musicianship, AJ’s commanding vocals, and fresh take on bluegrass traditions.

Live Touring & Festival Circuit (2018-2019)

During this period, AJ Lee & Blue Summit expanded beyond local California festivals to a national touring act. Some of their major performances included:

✅ Delfest (2019) – One of their biggest national festival appearances, putting them on the map for bluegrass and Americana fans.

✅ Strawberry Music Festival – A California-based festival where their performances drew large crowds and new fans.

✅ RockyGrass Festival – A Colorado festival known for featuring top-tier bluegrass acts, where they held their own against seasoned veterans.

✅ Wintergrass Festival – A major event that helped them connect with a broader bluegrass audience.

✅ IBMA Showcases – Performing at the International Bluegrass Music Association (IBMA) conference, gaining attention from industry professionals and bluegrass radio.

Their touring schedule intensified after the album release, leading to sold-out shows in key markets across the country.

Musical Growth & Expanding Their Sound

During this time, the band began experimenting even more with their sound, incorporating:

🎵 Swing & jazz elements – Sully Tuttle’s guitar style and Jan Purat’s fiddle work added a smooth, vintage swing feel to many tracks.

🎵 More original songwriting – AJ stepped into her own as a songwriter, making their music more personal and distinctive.

🎵 More vocal harmony arrangements – The three-part harmonies between AJ, Jesse, and Sully became a defining feature of their live shows.

A Pivotal Era

Between 2018-2019, AJ Lee & Blue Summit transformed from a promising California-based bluegrass band into a national touring act. The release of Like I Used To and their festival performances solidified their place in the modern bluegrass scene.

AJ Lee & Blue Summit (2020-Present): Adapting Through the Pandemic

When 2020 began, AJ Lee & Blue Summit were on a rising trajectory, fresh off the success of their 2019 debut album Like I Used To.

They had major festival bookings and a growing national audience. However, the COVID-19 pandemic forced them—like many artists—to rethink their approach to music, touring, and connecting with fans.

Early 2020: Building Momentum Before the Lockdowns

At the start of the year, AJ Lee & Blue Summit were gearing up for another year of heavy touring and festival appearances. They had built a reputation as a must-see live act, blending tight harmonies, virtuosic instrumentation, and a genre-blurring style.

Some of their planned appearances included:

✅ Wintergrass Festival (February 2020) – One of the last major performances before lockdowns began.

✅ California Bluegrass Association (CBA) events – Key shows in their home state

✅ A growing national presence – They were set to tour outside the West Coast more frequently.

Then, the world shut down in March 2020, halting live music indefinitely.

Mid-2020: Pivoting to Online Performances

Like many musicians, AJ Lee & Blue Summit had to adapt quickly to a world without live shows. Instead of touring, they leaned into:

🎥 Livestream concerts – The band performed online, streaming from their homes and small venues when restrictions allowed.

🎵 Recording and releasing new music – They used the downtime to write and refine material for their next album.

📱 Engaging fans online – They maintained their audience through social media, sharing behind-the-scenes content and personal updates.

Despite the challenges, this period allowed them to focus on songwriting and develop their next project.

2021: Returning to Live Music & A New Album

As live music slowly returned, AJ Lee & Blue Summit picked up where they left off, playing outdoor, socially distanced gigs and gradually re-entering the festival circuit.

2021 – I’ll Come Back

In August 2021, they released their second full-length album, I’ll Come Back, a more mature and introspective follow-up to Like I Used To.

Key Aspects of the Album:

• Showcased AJ’s growth as a songwriter, with deeper themes of change, longing, and resilience.

• Continued blending bluegrass, folk, country, and swing influences, pushing the boundaries of traditional bluegrass.

• Songs like "I'll Come Back" and "Lemons and Tangerines" highlighted their evolving sound—more personal, soulful, and expansive.

The album was well-received, reinforcing their reputation as one of the most innovative young bands in bluegrass.

2022-Present: Back on the Road & New Horizons

After the release of I’ll Come Back, the band returned to full-time touring, playing festivals and venues across the country. Some highlights include:

✅ MerleFest – One of the most prestigious roots music festivals.

✅ Delfest (again!) – Reinforcing their standing in the bluegrass/jam scene.

✅ More national touring – Moving beyond California into new markets across the U.S.

A Resilient and Evolving Band

The pandemic was a major challenge, but AJ Lee & Blue Summit emerged stronger, releasing their second album, expanding their fanbase, and refining their sound. Now, they’re back to touring regularly, proving that they’re not just a bluegrass band—they’re a forward-thinking, genre-defying musical force.

AJ Lee & Blue Summit (2023-2025): Lineup Changes, Albums, Live Touring, and Legacy

From 2023 to 2025, AJ Lee & Blue Summit have continued to grow, evolve, and solidify their place as one of the most exciting and innovative bluegrass bands in the country.

This period marked a few key changes in the band's lineup, the release of new music, a return to major live performances, and a deepening of their legacy in the bluegrass and Americana scenes.

Lineup Changes (2023-2025)

While the band's core members, including AJ Lee and Sully Tuttle, have remained at the forefront, a few musical shifts and lineup changes have contributed to the evolution of Blue Summit's sound and direction.

Key Changes:

• 2023: 

• Chad Bowen (bass) left the band to pursue other musical ventures, and series of touring bass players sat in

• 2024: Jan Purat, continued as the band's fiddle player,

• classical techniques with roots influences, which added a more textured and diverse sound to their music.

• Jesse Fischman left band (Late 2022)

• during co-vid - Reached out to old friend scotty Gates

These changes brought in a fresh dynamic, with new musicians contributing their own influences to the band's sound. However, the core identity of AJ Lee & Blue Summit—with its blend of bluegrass, folk, and Americana influences—has remained intact, helping to keep the group grounded in its roots while pushing its boundaries.

album release at the grand ole opry

Albums: New Music and Continued Innovation (2023-2025)

2024: The Release of city of glass (signed with signature of sound record label)

Key Features of city of glass:

• Themes of change: The album's tracks reflected the band's evolution, , as well as broader changes. where 2 songs were written from sully Tuttle and 3 songs were written by Scotty Gates

• previously aj lee wrote all the songs for blue summitt.

• New influences: While still rooted in bluegrass, the album incorporated more indie-folk and alt-country elements, with some tracks experimenting with sparser arrangements and more intricate raw instrumentation.

• Standout tracks: Songs like "Hillside" and "Seaside town" highlighted AJ's introspective lyrics, while tracks like "CIty of Glass" and "ToYS" captured the band’s more expansive, genre-blurring direction.

• 
  

produced by California Honeydrop's Lech Wierzynski

City of Glass was well received by critics, earning praise for its lyrical depth, bold experimentation, and the band's ability to stay authentic while embracing change. producing their signature sound.

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at this point they started to showcase their electrifying stage presence and musical chemistry in front of a live audience. It included reworked versions of fan favorites and a few unreleased tracks, giving fans a taste of the band’s evolving sound in a live performance context.

Live Touring and Performances (2023-2025)

The band’s live performances have always been a huge part of their identity, and as the pandemic restrictions eased, AJ Lee & Blue Summit hit the road again, quickly becoming festival favorites across the country. Some of their standout performances and tours included:

• MerleFest 2023 & 2024 – As one of the most prestigious Americana/bluegrass festivals, their performances here helped solidify their place in the broader bluegrass community.

• Bluegrass in the Mountains (2023-2024) – A series of sell-out shows in the Appalachian region, a key area for bluegrass music.

• Summer 2024 Tour – A full national tour that took the band through major cities and music venues across the U.S. They headlined multiple bluegrass festivals and performed at iconic venues, further expanding their fan base.

• Winter 2024 West Coast Tour – A string of shows along the West Coast, where the band has always had a strong following.

These tours helped to not only rebuild their momentum post-pandemic but also expand their reach, attracting new fans from across the country and beyond.

Legacy as of 2025

As of 2025, AJ Lee & Blue Summit have firmly established themselves as one of the most exciting young bands in the bluegrass and Americana scenes. Their legacy can be seen in several ways:

Revolutionizing Bluegrass: The band's ability to blend traditional bluegrass with modern, genre-blurring influences (folk, jazz, swing, and alt-country) has allowed them to expand the boundaries of what bluegrass music can be while keeping it grounded in its roots.

Strong Songwriting and Lyrics: AJ Lee's songwriting continues to grow in both complexity and emotional depth. Her ability to capture universal themes like love, change, and resilience has made their music resonate with a wide variety of listeners beyond just bluegrass fans.

A Mentoring Influence: As the band gains more attention, AJ has become a role model for young women in bluegrass, encouraging more women to take up the mandolin and pursue bluegrass music. She's been pushing for greater representation in the genre and has worked to create a more inclusive environment for up-and-coming musicians.

A Genre-Spanning Appeal: AJ Lee & Blue Summit have drawn fans from not just bluegrass circles, but from a variety of genres, including folk, indie, and country. This broad appeal has made them stand out as innovators in the bluegrass world, with their music being embraced by multiple generations of listeners.

Critical Acclaim and Growing Recognition: With their latest album Glass and consistent live performances, the band has been increasingly recognized by critics and peers alike, earning nominations and accolades within the bluegrass and Americana communities.

2025 onward

• AJ Lee – Lead vocals, mandolin, songwriter

• Sully Tuttle – Guitar, vocals

• Scotty Gates – Guitar

• SEAN NEWMAN – Bass

• Jan Purat – Fiddle
  

By 2025, AJ Lee & Blue Summit have carved out a significant place in the bluegrass world while remaining one of the genre's most forward-thinking and dynamic bands.

PLAYING RYMAN IN JULY 2025 - A LIFELONG DREAM

Their ability to evolve musically, maintain a strong connection with their fans, and push the boundaries of bluegrass while staying true to its roots ensures that they will be a powerful force in the music industry for years to come.