Funk, Fun, and Psychedelia: The Secret Sauce of Pigeons Playing Ping Pong

The Rise of Pigeons Playing Ping Pong: From College Jams to National Recognition

In the mid-2000s, on the campus of the University of Maryland, a group of friends came together with one goal in mind—making music that was as fun as it was funky.

Guitarist and vocalist Greg Ormont and fellow guitarist Jeremy Schon started jamming together, blending their shared love of funk, jam, and psychedelic rock. Soon, bassist Ben Carrey and drummer Dan Schwartz joined the mix, and Pigeons Playing Ping Pong was born.

Live From The Big ROom, Sierra NEvada Brewery Chico CA March 18, 2025 filmed by the gooch

The name, as quirky as the band’s high-energy style, was a reflection of their playful and unpredictable musical approach. They weren’t just another jam band—they infused their grooves with humor, explosive energy, and a vibrant stage presence that set them apart from the pack.

Grinding on the Road

and Early Buzz (2009-2013)

Like many jam bands before them, Pigeons honed their craft on the road. They gigged tirelessly, playing house parties, small clubs, and college events. Their infectious, funk-driven sound and wild live performances started earning them a dedicated fanbase—affectionately known as "The Flock."

By 2010, they had released a rough collection of early tracks called Funk E P, which gave a taste of their evolving style. However, it was their debut studio album, Funk (2010), that started turning heads. The record showcased their knack for blending deep grooves, playful lyricism, and improvisational jamming—setting the foundation for what would become their signature sound.

As they continued to tour heavily through the early 2010s, Pigeons started gaining traction on the festival circuit, appearing at small regional festivals and winning over crowds with their boundless energy. The band's relentless touring and reputation as a must-see live act helped them grow steadily, and word of mouth spread fast in the jam scene.

Breakthrough

and National Attention (2014-2016)

By the mid-2010s, Pigeons Playing Ping Pong had solidified themselves as rising stars in the jam and festival world. The release of their second full-length album, Psychology (2014), marked a turning point. It wasn’t just a collection of fun funk tunes—it was a more polished and dynamic record that proved they had depth alongside their onstage antics.

Their reputation grew even stronger as they landed spots at major festivals like Domefest (their own curated festival), Electric Forest, and The Peach Music Festival. Fans started recognizing their signature elements—spaced-out jams, rapid-fire funk guitar licks, and Ormont’s animated stage persona.

By 2016, with the release of Pleasure, Pigeons had officially arrived on the national jam band radar. Their relentless work ethic, infectious live energy, and signature sound had earned them a place alongside modern jam greats like Umphrey’s McGee, The String Cheese Incident, and Aqueous.

From dorm room jams to festival headliners, Pigeons Playing Ping Pong had proven that funk, fun, and pure unfiltered energy could still make waves in the modern music scene. And they were just getting started.

Pigeons Playing Ping Pong (2016-2018): Breaking Through the Jam Scene

By 2016, Pigeons Playing Ping Pong had built a strong grassroots following through relentless touring and high-energy live shows. With the release of their third studio album, Pleasure (2016), the band solidified their reputation as one of the most exciting and unpredictable acts in the jam-funk scene.

Their fanbase, known as “The Flock,” was growing rapidly, and they were no longer just a college-party band—they were becoming festival favorites.

The Touring Explosion & Festival Takeover (2016-2017)

Pigeons had already been road warriors, but from 2016 to 2018, they truly kicked their touring schedule into high gear. They played more than 100 shows per year, hitting nearly every major festival in the jam and funk circuit.

Their appearances at Electric Forest, Summer Camp Music Festival, The Peach Festival, High Sierra, and LOCKN’ helped introduce them to a broader audience beyond their college fanbase.

A key factor in their rise was their ability to blend humor, showmanship, and insane musical chemistry into every performance. Greg Ormont’s high-energy, almost cartoonish stage presence—coupled with Jeremy Schon’s fiery guitar work, Ben Carrey’s deep funk bass, and Alex Petropulos’ tight drumming—made their shows an experience rather than just a concert.

Lineup Change: Enter Alex Petropulos (2017)

One of the biggest shifts during this time was the departure of Dan Schwartz, the band's original drummer. In 2017, Alex Petropulos joined the band, bringing an even tighter and more dynamic rhythm section.

His addition helped refine the band’s sound, allowing them to explore more intricate grooves and improvisations while maintaining their signature high-energy feel.

Pizazz (2017) – Their Breakout Album

In 2017, Pigeons Playing Ping Pong released Pizazz, their most polished and ambitious album yet. Featuring fan-favorite tracks like “Live It Up” and “Doc,” the album showcased a more refined and cohesive sound while still maintaining the unhinged funkiness that made their live shows legendary.

This album marked their true breakthrough into national recognition. It received praise from the jam and funk communities, and more importantly, it helped expand their reach beyond the traditional jam band scene. Their mix of funk, psychedelia, and high-energy rock earned them comparisons to Phish, The Disco Biscuits, and even funk legends like Parliament-Funkadelic.

2018: Headlining Status & National Recognition

By 2018, Pigeons Playing Ping Pong had moved from opening slots and small venues to headlining theaters and larger clubs. They embarked on sold-out tours across the U.S., cementing their reputation as one of the most electrifying live acts in the jam-funk circuit.

They also expanded their own festival, Domefest, which had started as a small gathering but was now attracting thousands of fans. The band’s ability to build a dedicated community of fans made them stand out—The Flock wasn’t just a fanbase, it was a movement.

The Turning Point: Pigeons Playing Ping Pong Becomes a Household Name in the Jam Scene

By the end of 2018, Pigeons Playing Ping Pong had gone from a quirky college jam band to a full-fledged touring powerhouse. They were now regulars on major festival bills, playing alongside titans of the scene like Umphrey’s McGee, The String Cheese Incident, and Twiddle.

Their blend of funk, psychedelic rock, and unfiltered fun was unlike anything else in the jam world. They weren’t trying to be the next Phish or the next Dead—they were carving out their own lane.

With Pizazz earning them new fans and their live show being one of the most talked-about experiences in the jam circuit, Pigeons Playing Ping Pong had officially arrived.

And from there, the only way was up.

Pigeons Playing Ping Pong (2018–2020):

The Road to Bigger Stages & The Pandemic Pause

By 2018, Pigeons Playing Ping Pong had ascended to the top tier of the jam and festival circuit.

They had moved beyond being a rising act and were now a headlining force, known for their explosive live shows, playful energy, and a dedicated fanbase known as The Flock.

With their 2017 album Pizazz still fresh and their live performances reaching new heights, the band entered the next phase of their career—larger venues, massive festival slots, and national recognition beyond the jam scene.

2018–2019: Their Biggest Touring Years Yet

The momentum from Pizazz led Pigeons to their biggest touring years in 2018 and 2019. They continued selling out mid-sized theaters, increasing their Domefest festival attendance, and appearing at major festivals like:

• LOCKN’ Festival

• Bonnaroo

• Electric Forest

• High Sierra Music Festival

• The Peach Festival

• Jam Cruise

These years saw longer sets, extended jams, and more theatrical elements being added to their live shows. The band experimented with psychedelic light shows, themed performances, and elaborate setlists, further establishing their reputation as one of the most fun and unpredictable live acts in the jam scene.

They also started to bridge the gap between the jam and funk worlds, gaining new fans from acts like Lettuce, Galactic, and Vulfpeck.

2019: Presto and a New Sonic Direction

Heading into 2019, Pigeons Playing Ping Pong had their sights set on their next studio project. While Pizazz had been a breakthrough album, the band wanted to push themselves further.

In October 2019, they announced their fifth studio album, Presto, which would be released in January 2020. Unlike previous albums, Presto showcased a tighter, more groove-focused sound while still maintaining the wild, improvisational spirit of their live shows.

Singles like "Dawn A New Day" and "King Kong" became instant fan favorites, and Presto was shaping up to be their most ambitious project yet.

2020: The Pandemic Brings Everything to a Halt

The band kicked off 2020 with a massive tour supporting Presto, playing some of the biggest venues of their career. However, by March, the entire music world came to a screeching halt due to the COVID-19 pandemic.

Just as Pigeons were preparing for a festival-heavy summer, the world went into lockdown. Like many bands, they were forced to cancel tours, postpone Domefest, and put their momentum on pause.

Rather than sit idle, the band quickly adapted.

They embraced the digital shift and started livestreaming performances to keep The Flock engaged. They participated in virtual festivals, played socially distanced shows when possible, and focused on writing new material.

Despite the setbacks, Pigeons remained connected with their fanbase, keeping their unique brand of high-energy funk alive through screens and drive-in shows.

While 2020 was a tough year for live music, Pigeons Playing Ping Pong survived the storm, emerging as one of the jam scene’s most resilient and innovative bands.

Little did they know, the post-pandemic era would only push them further into the spotlight.

Pigeons Playing Ping Pong (2021–2025): Evolution, Resilience, and Musical Milestones

Post-Pandemic Resurgence (2021–2023)

After the global pandemic disrupted live music in 2020, Pigeons Playing Ping Pong (PPPP) made a triumphant return to the stage in 2021.

Embracing the resurgence of live events, they embarked on extensive tours, reconnecting with their dedicated fanbase, affectionately known as "The Flock." Their performances during this period were marked by renewed energy and a profound appreciation for the communal concert experience.

Lineup Changes: Ben Carrey's Hiatus and Zdenek Gubb's Arrival (2024)

In July 2024, bassist Ben Carrey announced a hiatus from touring due to personal reasons.

The band expressed full support for Carrey's decision and temporarily welcomed Zdenek Gubb, formerly of Twiddle, to fill the bassist role. This transition was seamless, with Gubb's style complementing PPPP's dynamic sound.

Live at The Capitol Theatre Album Release (2025)

On April 18, 2025, PPPP released "Live at The Capitol Theatre," a live album capturing their electrifying sold-out performance at the historic venue on February 3, 2024.

The album features a comprehensive setlist, including fan favorites and a unique rendition of The Beatles' "While My Guitar Gently Weeps." The release showcases the band's live prowess and their ability to connect with audiences.

Domefest 2025: A Celebratory Return

After a one-year hiatus, Domefest is set to return from August 7–9, 2025, at ACE Adventure Resort in New River Gorge, West Virginia.

The festival's lineup includes PPPP headlining all three nights, alongside acts like Papadosio and Spafford. This event underscores PPPP's commitment to fostering community and celebrating live music.

Continued Touring and Musical Evolution

Throughout 2025, PPPP continues to tour extensively, bringing their signature high-energy performances to audiences nationwide. Their resilience and adaptability have solidified their status as a mainstay in the jam and funk scenes, with fans eagerly anticipating future projects and live shows.

Ping Ponging

From navigating lineup changes to releasing acclaimed live recordings, Pigeons Playing Ping Pong has demonstrated growth and resilience in the years following the pandemic. Their dedication to their craft and community ensures their continued influence and success in the evolving musical landscape.

Why Pigeons Playing Ping Pong Are So Unique & What the Future Holds

What Makes PPPP Stand Out?

Pigeons Playing Ping Pong (PPPP) aren’t just another jam band—they’re a high-energy fusion of funk, rock, psychedelia, and relentless positivity that sets them apart from the rest of the scene. Here’s what makes them truly unique:

Infectious Energy & Party Atmosphere

Unlike some jam bands that lean into mellow, extended soundscapes, PPPP brings an unmatched party vibe to their shows. Their performances are high-octane, dance-driven, and wildly unpredictable, fueled by frontman Greg Ormont’s boundless enthusiasm and animated stage presence.

Tight, Funk-Infused Jamming

While improvisation is a core part of their music, PPPP’s jams are structured, rhythmic, and groove-heavy rather than meandering. They channel influences from P-Funk, Red Hot Chili Peppers, and Umphrey’s McGee, making their sound both jammy and incredibly danceable.

The Flock: A Passionate, Cult-Like Fanbase

Their fans, known as "The Flock," are as much a part of the PPPP experience as the band itself. This community is devoted, colorful, and always up for a good time—similar to Phish’s Phans or the Deadheads, but with an extra dose of fun-loving silliness.

Domefest: Their Own Personal Music Festival

Unlike most jam bands, PPPP has its own dedicated music festival, Domefest, which they have curated for years. The festival is a celebration of the band’s unique culture and features both up-and-coming acts and jam scene veterans.

Constant Evolution Without Losing Their Identity

Despite lineup changes (such as Ben Carrey’s hiatus and Zdenek Gubb stepping in on bass), PPPP has kept their signature sound while continuing to evolve. Their music has become tighter, their production more refined, and their songwriting more adventurous.

What Does the Future Hold for PPPP?

More Experimental & Ambitious Studio Work

While they are known for their live performances, PPPP has gradually been pushing their studio work forward.

With the success of Presto and Live at The Capitol Theatre, future albums could see them experimenting with more intricate compositions, new sonic textures, and even deeper explorations of funk and psychedelia.

Expanding Their Festival Dominance

Already a staple at jam festivals like LOCKN’, Peach Fest, and Electric Forest, PPPP is poised to become a headlining act at even bigger festivals. They’ve proven they can command large crowds, and their growing reputation could lead to top billing at major events.

Potential Collaborations & Genre Crossovers

As the jam scene embraces more cross-genre collaborations (with EDM, hip-hop, and world music influences), PPPP could step into new territories by working with artists outside their core genre—similar to how bands like The String Cheese Incident have expanded their sound.

Domefest’s Growth & Legacy

With Domefest’s return in 2025, there’s potential for it to become one of the premier jam festivals in the country. PPPP’s role as curators gives them a unique platform to showcase emerging talent while maintaining a deep connection with their fans.

Cementing Their Place as a Jam Scene Mainstay

After years of relentless touring, PPPP has already made an impact on the modern jam band landscape. As they enter their next phase, they could become one of the definitive jam-funk bands of their generation, much like Phish or The Disco Biscuits before them.

Why Seeing Them Live is a Must

If you haven’t seen Pigeons Playing Ping Pong live yet, you’re missing out on one of the most joyous, high-energy, and unpredictable live experiences in the jam world today.

Their blend of tight grooves, insane musicianship, and wild stage presence makes every show an unforgettable dance-fueled spectacle.

With an ever-growing fanbase, a return to full-scale touring, and their continued innovation, PPPP’s future looks brighter than ever.

Whether they’re headlining festivals, dropping new albums, or bringing The Flock together for unforgettable moments, one thing is certain—the party isn’t slowing down anytime soon.

Kid Rock: The Rebel Who Redefined Rock, Rap, and Country

The Rise of Kid Rock: From Small-Town Dreamer to Rap Rock Pioneer

Before he became a genre-blending superstar, Kid Rock was just Robert James Ritchie—a small-town kid from Michigan with a dream of making it big in music.

His journey from DJing in basements to becoming a rising star in rap was fueled by an intense work ethic, a deep love for hip-hop, and a rebellious spirit that would define his career.

The Early Years:

A Small-Town Kid with Big-City Dreams

Born on January 17, 1971, in Romeo, Michigan, Robert Ritchie grew up in a middle-class family. Unlike the rough backgrounds many rappers of his era came from, he had a relatively comfortable upbringing on a large family farm.

However, he was drawn to hip-hop culture at a young age, inspired by artists like Run-D.M.C., the Beastie Boys, and LL Cool J.

As a teenager, he immersed himself in breakdancing, graffiti, and DJing, gaining local fame for his ability to scratch records and hype up crowds.

By the late 1980s, he was performing at local parties and clubs, earning the nickname "Kid Rock" due to his youthful appearance and raw talent behind the turntables.

Breaking into the Detroit Music Scene

Kid Rock's passion for hip-hop led him to link up with a local rap group called The Beast Crew. Through them, he honed his skills as an MC and caught the attention of producers in Detroit.

The city was already known for its rock and Motown legacy, but its underground hip-hop scene was bubbling with potential.

In 1988, a demo tape featuring his rapping skills landed in the hands of Jive Records, which was scouting for the next big white rapper following the rise of the Beastie Boys. Impressed by his talent and energy, Jive signed the 17-year-old Kid Rock to a record deal, making him one of the few white rappers on a major label at the time.

1990: The Release of Grits Sandwiches for Breakfast

With his record deal in place, Kid Rock moved to New York to work on his debut album. In 1990, Grits Sandwiches for Breakfast was released under Jive Records. The album was heavily influenced by the golden age of hip-hop, with booming 808 beats, funky samples, and Kid Rock’s brash, party-centric lyrics.

The album’s most infamous song, "Yo-Da-Lin in the Valley," gained attention for its explicit lyrics and shock value. The track was so controversial that it got a college radio station banned from the airwaves after it was played.

Though Grits Sandwiches for Breakfast wasn’t a massive commercial success, it earned Kid Rock a dedicated underground following and put him on the map as a legitimate rapper.

He toured with major acts like Ice Cube, Too Short, and D-Nice, proving that he could hold his own in the rap world. However, after the album underperformed in sales, Jive Records dropped him, leaving his future in music uncertain.

Despite the setback, Kid Rock refused to quit. He returned to Detroit with a renewed focus, determined to craft a sound that was uniquely his own—a fusion of rock, rap, and country influences that would later make him a household name.

This was just the beginning of Kid Rock’s wild ride through the music industry. His early rap career laid the foundation for the genre-defying superstar he would become, but his true breakthrough was still on the horizon.

The Reinvention: Kid Rock’s Journey After Grits Sandwiches for Breakfast

The release of Grits Sandwiches for Breakfast in 1990 should have been the start of something big for Kid Rock.

He was young, full of energy, and had just landed a deal with a major label. But instead, the album flopped commercially, and soon after, Jive Records dropped him. Just like that, the dream seemed to slip away.

But Kid Rock wasn’t the type to quit.

The Hustle and Grind

In the early ‘90s, Kid Rock found himself back in Detroit’s underground scene, hustling to make music with whatever resources he had.

Instead of giving up, he doubled down on his craft, performing live whenever and wherever he could—clubs, house parties, and even opening for local hip-hop acts. He had a loyal following in Michigan, but outside of that, he was still a nobody.

Rather than sticking purely to rap, he began experimenting more with rock and funk, incorporating elements of live instrumentation into his music.

This shift wasn’t by accident—it was a direct response to what he felt was missing in his early work. He loved hip-hop, but he also loved rock, blues, and country. If the industry wasn’t ready for that mix, he’d make them ready.

The Next Album: The Polyfuze Method (1993)

By 1993, Kid Rock had signed with an independent label, Continuum Records, and released his second album, The Polyfuze Method. It was a huge departure from Grits Sandwiches for Breakfast.

The beats were heavier, the lyrics were more aggressive, and—most importantly—he began to fully embrace rock influences.

Songs like “Prodigal Son” and “U Don’t Know Me” introduced electric guitars into the mix, while tracks like “My Oedipus Complex” showed a darker, more personal side to his writing.

He was still rapping, but the production had more grit and rawness, blending in elements of funk and hard rock.

While the album wasn’t a major commercial success, it marked a turning point. Kid Rock was evolving. He was no longer just another white rapper trying to make it in hip-hop—he was creating something different. Something that would eventually make him stand out.

Lessons Learned and a Cult Following

The Polyfuze era taught Kid Rock two things:

1. The industry still didn’t fully understand what he was doing, but that didn’t mean he was wrong.

2. If he couldn’t break in through the front door, he’d build his own stage.

   
   

He spent the next few years touring, refining his sound, and building a dedicated underground fanbase. He formed his backing band, Twisted Brown Trucker, which would become a key part of his signature sound.

This period was about growth. He wasn’t a mainstream star yet, but something was brewing. He was getting closer to the formula that would take him to the top.

The End of the '90s: Kid Rock’s Meteoric Rise to Fame

By the mid-90s, Kid Rock had spent years grinding, playing in small clubs, and refining his fusion of hip-hop, rock, and country.

He had already released The Polyfuze Method (1993) and Early Mornin' Stoned Pimp (1996), which pushed his sound further into the rap-rock territory. But despite his underground success in Detroit, he was still a long way from national stardom.

That all changed in 1998.

Signing with Atlantic Records: The Big Break

Kid Rock had built a strong local following and had developed a unique, high-energy live show with his band, Twisted Brown Trucker. Atlantic Records took notice, and in 1997, they signed him to a new record deal.

Unlike his first major-label experience with Jive Records, this time, he had creative control. He knew exactly what kind of album he wanted to make.

1998: Devil Without a Cause – The Album That Changed Everything

On August 18, 1998, Kid Rock released Devil Without a Cause, an album that would catapult him into superstardom.

It was a bold, genre-blending mix of hard rock, rap, metal, and Southern influences, featuring anthemic hooks, loud guitars, and swaggering lyrics that oozed confidence.

The album’s lead single, "Bawitdaba," was a game-changer. With its explosive energy, pounding guitar riffs, and chant-along chorus, it became an anthem for rebellious youth across the country. The music video, featuring Kid Rock in his signature fur coat and pimp hat, made it clear—he wasn’t just another rapper, rock star, or country singer; he was something entirely new.

Other standout tracks included:

• “Cowboy” – A twangy, country-infused rap-rock track that showcased his ability to blend genres like no one else.

• “Only God Knows Why” – A more introspective, Auto-Tuned ballad that showed his softer, reflective side.

• “I Am the Bullgod” – A gritty, rebellious track that further cemented his outlaw image.

1999: Touring, MTV, and the Woodstock ‘99 Moment

Once Devil Without a Cause started gaining traction, Kid Rock hit the road hard. He toured relentlessly, opening for bands like Limp Bizkit and Korn, tapping into the exploding nü-metal and rap-rock movement.

The turning point came when he performed at Woodstock ‘99. His electrifying set, full of energy, attitude, and over-the-top showmanship, introduced him to a massive new audience. By the end of 1999, he was everywhere—on MTV, TRL, radio stations, and award shows.

That same year, Devil Without a Cause went multi-platinum, selling over 11 million copies and making Kid Rock a household name.

The End of the '90s: A Superstar is Born

By the time the decade ended, Kid Rock had gone from a struggling underground artist to one of the most recognizable names in music. His mix of hip-hop, rock, and country had set the stage for the rap-rock explosion of the early 2000s, influencing a wave of artists who tried to replicate his formula.

As the new millennium approached, Kid Rock had proven that he wasn’t just a flash in the pan—he was here to stay.

The 2000s: Kid Rock’s Evolution from Rap-Rock to Southern Rock Icon

As the 2000s began, Kid Rock was riding high on the massive success of Devil Without a Cause. He had made a name for himself as a rap-rock superstar, but he wasn’t content with staying in one lane.

Over the next decade, he would evolve his sound, transition into a more Southern rock and country-inspired artist, and solidify his place as a true American rock icon.

2000-2001: Riding the Wave with The History of Rock

After the success of Devil Without a Cause, Kid Rock wanted to keep the momentum going. In 2000, he released The History of Rock, a compilation album featuring reworked songs from his early albums along with the new hit single “American Bad Ass”.

• "American Bad Ass" was built around a sample of Metallica’s "Sad But True", blending heavy metal riffs with his signature rap-rock delivery. The track became an anthem and further cemented Kid Rock as a rebellious, larger-than-life figure.

• He also performed alongside Metallica, Korn, and System of a Down on the Summer Sanitarium Tour, expanding his fanbase even further.

During this time, Kid Rock also began dating Pamela Anderson, a relationship that kept him in the public eye even outside of music.

Kid Rock and Joe C (Joseph Calleja) had a close friendship and musical partnership. Joe C, who had a rare form of dwarfism, became a fan-favorite hype man for Kid Rock in the late 90s. He joined Kid Rock’s band during the Devil Without a Cause era, bringing humor, energy, and his own rapping skills to live performances. Their chemistry was evident in hits like "Cowboy" and "Bawitdaba."

Joe C's larger-than-life personality and loyalty to Kid Rock made him a beloved part of the group, but sadly, he passed away in 2000 due to complications from his medical condition. Kid Rock has honored Joe C's memory over the years, often reflecting on their bond and the impact Joe C had on their fans.

2001-2003: Cocky and “Picture” – The Crossover Moment

In 2001, Kid Rock released Cocky, an album that marked the beginning of his transition from rap-rock to a more Southern rock and country-inspired sound.

The album featured both heavy, party anthems and soulful, country-infused ballads.

• "Forever" was a hard-hitting rap-rock anthem, proving he still had his rebellious edge.

• "Lonely Road of Faith" was a Southern rock ballad that showed his growing appreciation for classic rock influences.

• "You Never Met a Motherf*er Quite Like Me"** continued his brand of loud, confident bravado.

  
  

But the real game-changer was “Picture”, a country-leaning duet with Sheryl Crow. The song became his first true crossover hit on country radio and introduced Kid Rock to a brand-new audience.

• The emotional, heartfelt ballad surprised fans and critics alike.

• It reached the Top 5 on the Billboard Hot 100, proving he wasn’t just a rap-rocker—he could write timeless, radio-friendly songs too.

At this point, Kid Rock wasn’t just a genre-blending artist anymore—he was rewriting his identity.

2004-2006:

Going Full Rock and Country with Kid Rock

By the mid-2000s, Kid Rock had fully embraced Southern rock, blues, and country influences.

• In 2003, he released an acoustic Southern rock album, Kid Rock, featuring "Cold and Empty" and "Jackson, Mississippi", which leaned into bluesy, classic rock vibes.

• He covered "Feel Like Makin’ Love" by Bad Company, further signaling his shift toward classic rock territory.

During this time, he also performed at the Super Bowl halftime show in 2004 and was involved in high-profile feuds with rock and hip-hop artists, adding to his bad-boy reputation.

2007-2010: Rock n Roll Jesus – The Ultimate Reinvention

In 2007, Kid Rock released Rock n Roll Jesus, the album that cemented his Southern rock identity and gave him one of the biggest hits of his career.

• "All Summer Long" was a smash hit, blending Lynyrd Skynyrd’s "Sweet Home Alabama" and Warren Zevon’s "Werewolves of London" into a nostalgic summer anthem.

• The song became a worldwide hit, charting in multiple countries and marking Kid Rock’s true crossover into mainstream rock and country audiences.

He had officially evolved from a rap-rock rebel into a Southern rock star.

Kid Rock: 2010s Onward – Reinvention, Collaborations, and Staying True to His Roots

As Kid Rock entered the 2010s, he had fully transitioned into a Southern rock, blues, and country artist while still keeping his rebellious, larger-than-life persona intact.

He continued making music, touring relentlessly, and collaborating with artists across genres, proving his ability to bridge the gap between rock, country, and hip-hop.

2010-2012: Born Free and a New Direction

In 2010, Kid Rock released Born Free, an album that marked his departure from rap-rock altogether.

• Produced by Rick Rubin, the album had a heartland rock feel, drawing comparisons to artists like Bob Seger, Bruce Springsteen, and Tom Petty.

• The title track, "Born Free," became an anthem of freedom and resilience, frequently used in political rallies and sporting events.

• He collaborated with country and rock legends like Zac Brown Band ("Flyin' High"), Bob Seger ("Collide"), and Sheryl Crow again ("Care"), solidifying his status as a crossover artist.

This album showed a more mature, reflective Kid Rock, moving away from his party-rock roots into patriotic and storytelling-driven songwriting.

2013-2014: Rebel Soul, Touring with Legends, and More Collaborations

• In 2012, Kid Rock released Rebel Soul, an album that blended rock, blues, and country influences.

• The single "Let's Ride" was an anthem for U.S. troops, further aligning him with patriotic themes.

• He performed with big-name artists like Willie Nelson and Toby Keith, continuing to merge rock and country audiences.

During this time, Kid Rock also started working with classic rock legends, often bringing artists like ZZ Top, Lynyrd Skynyrd, and Bob Seger on tour with him.

In 2013, he made headlines with his "$20 Best Night Ever" Tour, where he lowered ticket prices to make live music accessible for his fans. This move gained massive respect in the industry.

2015-2018: First Kiss and Staying Independent

• 2015 saw the release of First Kiss, an album that leaned heavily into nostalgic rock and country sounds.

• The title track, "First Kiss," was a radio hit, bringing back the nostalgic summer vibes of "All Summer Long."

• He continued collaborating with country stars, including Jason Aldean and Brantley Gilbert.

By this time, Kid Rock had solidified his image as a Southern rock outlaw, keeping his fanbase loyal by mixing country ballads with high-energy rock songs.

2018-Present: Sweet Southern Sugar and Political Controversies

• In 2017, Kid Rock released Sweet Southern Sugar, an album that blended rock, country, and blues but also returned to some hip-hop influences.

• The lead single "Tennessee Mountain Top" showcased his love for Southern living.

• He started performing with country and rock legends like Hank Williams Jr. and Brantley Gilbert, further merging the two worlds.

During this period, Kid Rock also became more vocal politically, often making headlines for controversial statements and stances. This solidified his place as a polarizing but influential figure in music.

Key Collaborations Over the Years

Throughout the 2010s and beyond, Kid Rock worked with a diverse range of artists:

• Sheryl Crow – Collaborated on "Picture" and "Collide"

• Bob Seger – Close friendship and collaborations, including "Collide"

• Zac Brown Band – "Flyin’ High"

• Hank Williams Jr. – Multiple live performances and collaborations

• Lynyrd Skynyrd – Toured together and performed "Sweet Home Alabama" live

• ZZ Top – Frequent touring partners

• Brantley Gilbert & Jason Aldean – Country-rock collaborations and joint performances

Kid Rock’s Legacy and What to Expect from Him Live Today

Kid Rock has carved out one of the most unique careers in modern music, transitioning from a Detroit rapper to a Southern rock and country legend.

Seeing Kid Rock live today means:

• A high-energy, genre-spanning show mixing rock, hip-hop, country, and blues.

• A full-band experience with his Twisted Brown Trucker Band, bringing a mix of electric guitars, turntables, and even fiddles.

• Classic hits like "Bawitdaba," "Cowboy," and "All Summer Long" alongside his country ballads.

• An unapologetic, rowdy atmosphere, filled with patriotic anthems, beer-drinking songs, and heartfelt storytelling.

As of 2025, Kid Rock continues to tour, make music, and remain a dominant figure in rock and country circles, proving that his career has longevity beyond rap-rock.

Kid Rock’s Legacy: A Trailblazer in Music and Live Entertainment

Kid Rock’s career is one of the most unique and unconventional in modern music history. He has seamlessly blended rap, rock, country, and blues in a way that few (if any) artists have done successfully. Beyond his genre-crossing music, he has built a fiercely independent brand, challenged the music industry’s status quo, and taken a bold stance against ticketing agencies and scalpers, prioritizing his fans over corporate profits.

Musical Legacy: What Kid Rock Has Done That No Other Artist Has

Mastering and Merging Multiple Genres

Most artists get boxed into one style, but Kid Rock has reinvented himself multiple times while maintaining a loyal fanbase. His ability to transition across genres has set him apart:

• 1990s: Rap-rock pioneer (Devil Without a Cause)

• 2000s: Southern rock and country crossover (Rock n Roll Jesus, Born Free)

• 2010s: Blues, heartland rock, and outlaw country (Rebel Soul, Sweet Southern Sugar)

Few artists have credibly navigated rap, rock, and country without losing their core audience. His career path is something only a handful of artists, like Johnny Cash or Bob Dylan, have attempted, but none have done it quite like Kid Rock.

A Self-Made Success Without Industry Gatekeepers

• Unlike many artists who rely on major labels to shape their sound, Kid Rock fought for years as an independent hustler before breaking through.

• Even when he signed to a major label, he maintained creative control over his music and image.

• He has built his empire through sheer will, relentless touring, and a direct connection with fans, often ignoring industry trends in favor of doing things his own way.

The "$20 Best Night Ever" Tour – Fighting Ticket Agencies & Scalpers

Kid Rock declared war on ticketing agencies and scalpers in 2013 by launching the "$20 Best Night Ever" tour, where every ticket was only $20, no matter the venue.

• He partnered with Live Nation but forced them to lower service fees.

• Beer, parking, and merchandise were also discounted, making the concerts fan-friendly.

• He cut out scalpers by working with paperless ticketing and strict ID checks.

• His strategy pressured other artists to rethink ticket pricing and made headlines as one of the most fan-friendly tours in modern history.

This move proved that artists could control ticket prices if they were willing to sacrifice personal profits to give back to fans.

Taking Control of His Music – Independent Releases

While many artists rely on labels for promotion, Kid Rock took a different route:

• He fought against streaming services like Spotify and Apple Music when they first launched, refusing to put his albums up for free.

• He held out on digital streaming for years, believing that artists deserved better compensation.

• In 2017, he released Sweet Southern Sugar independently, showing that a major label wasn't necessary for success.

Creating a One-of-a-Kind Live Experience

A Kid Rock concert isn’t just a show—it’s a party, a celebration, and a spectacle unlike any other:

• He routinely plays multiple instruments (guitar, drums, turntables) live.

• His band, Twisted Brown Trucker, brings a mix of rock, rap, country, and blues elements into one massive sound.

• His setlists blend rap anthems ("Bawitdaba") with country ballads ("Picture") and rock anthems ("Born Free"), something no other artist does.

• His fans range from hip-hop heads to outlaw country lovers, making his audience one of the most diverse in rock history.

Kid Rock’s Influence & Enduring Legacy

• He has influenced a new wave of artists in both rock and country, proving that genre boundaries are meant to be broken.

• He paved the way for country-rap artists like Jelly Roll, Colt Ford, and Upchurch, who mix outlaw country with hip-hop elements.

• His business model of self-reliance and cutting out middlemen has inspired younger independent artists to take control of their careers.

• His relentless anti-corporate stance on ticket prices and streaming royalties has forced the music industry to address fan accessibility and artist compensation.

What to Expect Seeing Kid Rock Live Today

If you see Kid Rock live in 2025, expect:

✅ A no-frills, high-energy mix of rap, rock, and country.

✅ A rowdy, patriotic, unapologetic atmosphere.

✅ A massive, multi-instrumental show—Kid Rock still plays guitar, drums, and even turntables.

✅ A fan-first experience—he keeps tickets fair, the beer cheap, and the energy high.

✅ No setlist is the same—he mixes his biggest hits with deep cuts, plus covers of classic rock and country legends.

Kid Rock has always said he’s about the fans first—not record labels, not radio, not corporate execs. That mentality has made him a legend, a rebel in the industry, and a blueprint for how to build a career on your own terms.

Rebel without a cause

Kid Rock’s legacy is bigger than just his music—he’s changed how artists connect with their audience, fight back against corporate greed, and embrace being unapologetically themselves. No other artist has blended genres like he has while staying true to his rebellious spirit.

3rd Annual Comedy Jam

In addition to his musical performances, Kid Rock is hosting his 3rd Annual Comedy Jam on April 7, 2025, at the historic Ryman Auditorium in Nashville, TN, as part of the 2025 Nashville Comedy Festival.

 This event showcases his commitment to blending different entertainment forms and providing diverse experiences for his fans.

Recent Performances and Appearances

Kid Rock recently made headlines with a surprise performance at Jon Bon Jovi's Nashville bar during a birthday celebration for keyboardist David Bryan. However, the event took an unexpected turn when he left the stage mid-performance due to a lack of audience participation.

Stance on Ticket Sales and Fan Accessibility

Continuing his advocacy for fair ticket pricing, Kid Rock has implemented measures to ensure tickets remain accessible to fans. He has expressed frustration with existing ticketing systems and is actively working to change them, aiming to get tickets directly into the hands of fans while minimizing additional fees.

Engagement with Fans

Kid Rock maintains an active presence on social media, sharing behind-the-scenes content and updates. Recent posts include rehearsals for upcoming shows and personal insights, allowing fans to connect with him beyond the stage.

Looking Ahead

As of March 2025, Kid Rock continues to innovate and engage with his audience through diverse projects and performances. His upcoming tour and events like the Comedy Jam exemplify his dedication to providing unique and memorable experiences for his fans.

How The Devil Makes Three Revives Old-Time Music with a Modern Edge

The Devil Makes Three: From Humble Beginnings to Their First Album

The Devil Makes Three (TDM3) is a band that emerged from the underground folk-punk scene with a sound that fuses old-time

blues, ragtime, country, bluegrass, and punk energy. Their stripped-down, rhythm-driven approach and dark, whiskey-soaked storytelling have made them a unique force in American roots music.

Humble Beginnings: Busking, Punk Roots & DIY Spirit

The band was formed in Santa Cruz, California in the early 2000s, but its origins trace back to Vermont, where childhood friends Pete Bernhard (guitar/vocals) and Cooper McBean (guitar/banjo/vocals) grew up. They played in punk and rock bands during their teenage years but developed a love for folk, blues, and early American music along the way.

Bangor Mash - Recorded by gooch March 4 2025 Ace of Spades Sacramento CA

After high school, Bernhard moved to California, where he met Lucia Turino (upright bass/vocals). With McBean eventually joining them on the West Coast, the trio began busking, playing coffee shops, bars, and small venues, crafting their raw, high-energy acoustic sound with no drummer—just guitar, banjo, upright bass, and foot-stomping rhythms.

Black irish - Recorded by gooch March 4 2025 Ace of Spades Sacramento CA

They quickly built a DIY following, relying on word-of-mouth, relentless touring, and grassroots support rather than mainstream industry backing. Their music stood out because it felt like punk rock played on acoustic instruments, delivering fast-paced, darkly humorous storytelling reminiscent of outlaw country and delta blues legends.

Debut Album: The Devil Makes Three (2002)

In 2002, they independently released their self-titled debut album, which captured the raw essence of their live performances and storytelling magic.

Fallen Champions - Recorded by gooch March 4 2025 Ace of Spades Sacramento CA

The album was recorded simply and authentically, with no excessive production—just the band’s raw energy, tight harmonies, and rhythmic drive.

Fans of Johnny Cash, Woody Guthrie, and early blues musicians could hear their influence, but there was also something modern, rebellious, and uniquely The Devil Makes Three in their sound.

The debut album gained a cult following, especially in Santa Cruz and other underground folk scenes, laying the foundation for their future success. Their ability to blend old-time music with punk spirit would only grow stronger in their later albums.

The Devil Makes Three: The Beginning (2003)

The year 2003 was a defining moment for The Devil Makes Three—a band that would go on to carve its own gritty, foot-stomping path in the world of Americana, folk, and punk-infused bluegrass.

Ghosts Are Weak- Recorded by gooch March 4 2025 Ace of Spades Sacramento CA

But at the start of that year, they were still three musicians hungry to be heard, playing anywhere that would have them, fueled by the restless energy of a band that knew they had something special.

The Road to the Debut Album

At the core of the group were Pete Bernhard, Cooper McBean, and Lucia Turino—a trio bound by their shared love of old-time music, folk storytelling, and a rebellious punk spirit.

They weren’t trying to fit into the polished, radio-friendly folk revival that was starting to bubble up in the early 2000s. Instead, their sound was raw, percussive, and soaked in the same whiskey-stained traditions that once fueled outlaws, ramblers, and drifters.

The three musicians had first met in Vermont, where Pete and Cooper had grown up. The two had been friends since high school, swapping music and ideas before deciding to take their passion on the road. They eventually landed in Santa Cruz, California, where they found a thriving underground music scene—one that embraced the band's genre-defying style.

Lucia Turino, a skilled upright bassist, joined them, adding a deep rhythmic pulse that set their sound apart. With no drummer, their instrumentation relied on the thump of the bass, the chugging energy of acoustic guitars, and Pete’s raspy, storyteller vocals.

They were just as much at home playing in dive bars as they were on the streets, where they busked to earn enough money to keep going.

Recording the Self-Titled Album

By 2003, The Devil Makes Three had built a cult following in Santa Cruz. They had a reputation for electrifying live performances—audiences stomped and clapped along as if they were at an old-time barn dance infused with punk attitude.

That year, the band self-released their debut album, The Devil Makes Three, a record that perfectly captured their raw, unfiltered energy.

The album featured songs that would become staples of their career:

• "Old Number Seven" – A whiskey-soaked anthem that would become one of their most recognizable songs.

• "Graveyard" – A song that perfectly blended folk storytelling with the band’s dark, mischievous lyricism.

• "The Plank" – A track that showcased their punk-meets-old-timey energy, with lyrics that felt like they were ripped from the pages of a dusty outlaw novel.

  
  

The recording process was simple, unpretentious, and true to their roots—they didn’t have a major label backing them, no big-budget studio, just a band that wanted to capture the fire of their live shows in a way that felt authentic.

The Underground Rise

After releasing their self-titled album, The Devil Makes Three hit the road hard. They toured relentlessly, playing DIY venues, bars, house shows, and any stage that would take them. Their music started spreading beyond Santa Cruz—word-of-mouth, burnt CDs, and underground music forums helped introduce their sound to new audiences who were craving something raw and real.

2003 was the year they went from local heroes to underground legends, setting the foundation for the following decades of independent success, festival slots, and a dedicated fanbase that would grow with them over time.

The Devil Makes Three: On the Road (2004-2005)

By 2004, The Devil Makes Three was no longer just a scrappy local band playing Santa Cruz dive bars—they were a force on the road, carving out a reputation for delivering electrifying performances in basements, smoky bars, and anywhere with a wooden floor sturdy enough to handle a stomping crowd.

Their self-released 2002 debut album had begun spreading like wildfire, passed from fan to fan through burned CDs, word-of-mouth, and the emerging underground folk-punk scene. The band—Pete Bernhard (guitar, vocals), Cooper McBean (guitar, banjo, vocals), and Lucia Turino (upright bass, vocals)—was hungry to keep pushing forward.

2004: Living on the Road

With no record label and no industry machine behind them, The Devil Makes Three did what they did best: they hit the road and stayed there.

They lived the classic DIY musician’s life—cramming themselves and their gear into whatever vehicle they could afford to keep running, sleeping on couches, and playing show after show to grow their fanbase the old-fashioned way.

Their sound—a gritty fusion of old-time folk, blues, ragtime, and punk energy—was unlike anything most people had heard before. Their audiences weren’t just bluegrass or Americana fans; they were drawing in punk kids, metalheads, folk purists, and everyone in between.

They crisscrossed the West Coast, playing in cities like San Francisco, Portland, Seattle, and Los Angeles, as well as smaller towns where their music resonated with anyone who loved raw, unfiltered storytelling set to driving rhythms.

Fans started showing up to multiple gigs, following the band from city to city.

THe Devil Wins - Recorded by gooch March 4 2025 Ace of Spades Sacramento CA

But touring wasn’t easy—venues weren’t always welcoming to a band that didn’t fit neatly into a single genre. Some places didn’t know whether to book them on punk nights, folk nights, or country nights. But that was their magic—they belonged everywhere and nowhere, and they thrived in the in-between.

2005: A New Album & a Growing Fanbase

By 2005, the non-stop touring was paying off. The Devil Makes Three had built a cult following across the West Coast and beyond, with devoted fans who loved their live shows just as much as their debut album.

That year, they released "Longjohns, Boots and a Belt", their second independent album. It was a live recording, capturing the raw, stomping energy that had made their concerts legendary.

They didn’t have the luxury of big recording studios or polished production, but they didn’t need it. This record was pure Devil Makes Three—no-frills, no gimmicks, just pure, infectious, foot-stomping music.

The album included:

• "Beneath the Piano" – A fan-favorite, showcasing Pete’s signature dark storytelling and gritty vocal delivery.

• "Ocean" – A haunting, stripped-down song that highlighted the band’s deep connection to traditional folk and blues storytelling.

• "Nobody’s Dirty Business" – A rollicking, old-timey tune with a mischievous edge that fit perfectly into their growing catalog.

With the success of the new album, The Devil Makes Three expanded their touring territory, pushing further into the Midwest and East Coast.

They started picking up steam in places like Colorado, Texas, and Tennessee, where their unique sound caught the attention of bluegrass lovers, punk rockers, and alternative music fans alike.

At this point, their shows were no longer just small bar gigs—they were packing rooms, and their fans were showing up knowing every word to their songs.

The DIY Spirit & Legacy of 2004-2005

Through 2004 and 2005, The Devil Makes Three proved that a band could build something real without major label backing or industry gatekeepers. They were a touring powerhouse, relying on sheer determination, incredible live performances, and a dedicated fanbase to keep them going.

These years set the foundation for their eventual breakthrough—while they were still very much an underground band, the seeds they planted during this relentless era of touring and self-releasing albums would eventually grow into something much bigger.

The Devil Makes Three: The Road to Cult Status (2006-2011)

By 2006, The Devil Makes Three had become a name whispered in the underground, passed along by die-hard fans who swore by their fiery, boot-stomping live shows.

Their relentless DIY touring, word-of-mouth fanbase, and raw energy had turned them into something more than just another folk trio. They were becoming a movement—a bridge between old-time Americana and the unbreakable spirit of punk.

But they were still outsiders.

The music industry didn’t quite know what to do with them. They weren’t bluegrass enough for the traditionalists, not country enough for Nashville, and too rootsy for the indie-rock scene. But they didn’t need permission to carve out their place. They just kept playing.

2006-2008:

"A Little Bit Faster and a Little Bit Worse"

By 2006, the trio—Pete Bernhard (guitar, vocals), Cooper McBean (guitar, banjo, vocals), and Lucia Turino (upright bass, vocals)—were road warriors. They had spent the last few years touring almost non-stop, playing sweaty, sold-out shows in bars, clubs, and festivals across the U.S. Fans followed them from city to city, and their audience was no longer just West Coast punks and folk lovers—they were picking up steam nationwide.

That year, they released "A Little Bit Faster and a Little Bit Worse", another live album that perfectly captured their signature sound: dark, gritty, and full of whiskey-soaked storytelling.

This wasn’t polished, studio-perfected bluegrass. It was rough, unfiltered, and pulsing with energy—exactly how their fans loved them.

Songs like "Tow" and "For Good Again" became underground anthems. The band wasn’t just playing music; they were telling the stories of outlaws, drifters, and the beautifully broken.

Their fanbase kept growing. They weren’t getting radio play, and they weren’t signed to a major label—but they didn’t need it. Their music spread through live shows, bootleg recordings, and the internet, where fans in distant cities were discovering them for the first time.

2009-2010:

Do Wrong Right – The Breakthrough Album

Everything changed in 2009 when The Devil Makes Three released their first true studio album in years:➡ "Do Wrong Right"

It was their biggest album yet, packed with some of their most beloved songs:

• "Do Wrong Right" – A title track that became their mission statement, embracing the idea that life isn’t always about following the rules.

• "All Hail" – A fast, driving song that felt like a rallying cry for outsiders.

• "Gracefully Facedown" – A drinking song with swagger and wit, embodying the rowdy spirit of their live shows.

This album was a turning point. More people were paying attention. They started landing bigger festivals, from bluegrass gatherings to punk-adjacent festivals where fans weren’t afraid to stomp along. New audiences were finding them, and longtime fans were feeling vindicated—The Devil Makes Three was finally getting the recognition they deserved.

By 2010, the band’s live shows were at another level. The crowds were bigger, rowdier, and more devoted than ever. They weren’t just an underground favorite anymore—they were headlining their own tours, and their album hit #1 on the Billboard Bluegrass charts.

2011: Cementing Their Legacy

By the time 2011 rolled around, The Devil Makes Three was no longer just a band you stumbled across—they were a must-see act. Their reputation as a live powerhouse had cemented them as one of the most exciting bands in the folk and Americana scene.

They weren’t a household name yet, but they had something more powerful than mainstream success:➡ A fiercely loyal fanbase that had been with them since the early days.

Their shows had evolved into something almost spiritual, a gathering of outsiders, misfits, and lovers of raw, unpolished music. They had built their own world, one where punk rockers and bluegrass purists stood side by side, stomping their boots to the same rhythm.

2006-2011: The Legacy of These Years

• From an underground band to a headlining act

• DIY to #1 on the Bluegrass charts

• A growing cult following that would last for decades

This was the era that made The Devil Makes Three who they are today.

The Devil Makes Three: From Cult Heroes to Americana Icons (2012-2019)

By 2012, The Devil Makes Three was no longer a secret whispered between folk-punk purists and underground music lovers. They were becoming something bigger—a band that transcended genres, playing to audiences that felt more like family than fans.

The years of relentless touring had paid off. They had gone from playing small bars and DIY spaces to headlining major festivals and selling out iconic venues. Their sound—gritty, unpolished, soaked in old-time blues, ragtime, and outlaw country—was connecting with people in a way that felt both timeless and urgent.

But they weren’t done yet.

2013-2014: I’m a Stranger Here – A New Era

The Devil Makes Three had built their reputation on their raw, stripped-down acoustic energy, but for their next album, they wanted to take things to the next level.

In 2013, they released "I’m a Stranger Here", their first studio album with a full producer-led recording session, helmed by the legendary Buddy Miller (who had worked with luminaries like Emmylou Harris and Robert Plant).

This album was different. Darker. Fuller. It still had the Devil Makes Three DNA—storytelling that felt like whiskey-soaked folklore—but now it was backed by a rich, textured sound that expanded their sonic world.

Tracks like:

• "Stranger" – A brooding, haunting song that captured the loneliness of wandering.

• "Spinning Like a Top" – A rolling, hypnotic tune that felt like a dizzying trip through the band's own history.

• "Hallelu" – A fan favorite that pulsed with bluesy, gospel-infused energy.

The album debuted at #1 on the Billboard Bluegrass Chart and solidified their place as one of the most exciting bands in Americana. They weren’t just an underground sensation anymore—they were charting, playing bigger festivals, and reaching a whole new audience.

And, of course, they kept touring like mad.

2015-2016:

Redemption & Ruin – A Tribute to Their Roots

After years of writing their own stories, The Devil Makes Three decided to pay tribute to the music that shaped them.

In 2016, they released "Redemption & Ruin", an album made entirely of covers—songs that had influenced their sound from the beginning. It was a love letter to American roots music, divided into two halves: songs of sin and songs of salvation.

With covers of legends like Tom Waits, Willie Nelson, and Muddy Waters, this album felt both personal and universal. They were tipping their hats to the past while showing just how much their own music had become part of that lineage.

This album resonated deeply with fans and critics alike. It hit #1

on the Bluegrass charts, and the band played some of their biggest shows yet.

2017-2018: Chains Are Broken – A Full Evolution

By 2018, The Devil Makes Three had spent nearly two decades on the road. Their fans had followed them from dingy bars to massive festivals, and their music had evolved with them.

They had always been an acoustic powerhouse, but now they were ready to bring in something they had resisted for years:

➡ Electric guitars.

Their 2018 album "Chains Are Broken" was a turning point. It was their first fully plugged-in studio record, adding drums and electric instrumentation for the first time in their career.

It wasn’t a departure—it was an evolution. The songs still carried their signature outlaw spirit, but the sound was bigger, bolder, and more expansive than ever before.

Tracks like:

• "Paint My Face" – A haunting, introspective song that felt like a ghost story set to music.

• "Bad Idea" – A rowdy, rebellious anthem that captured their punk-meets-Americana spirit.

• "Pray for Rain" – A slow-burning, bluesy track that showcased their storytelling at its finest.

The album took them to a whole new level, earning critical acclaim and expanding their audience beyond anything they had imagined.

Gracefully Facedown - Recorded by gooch March 4 2025 Ace of Spades Sacramento CA

2019: A Legacy Cemented

By the time 2019 rolled around, The Devil Makes Three was no longer just a cult favorite. They were a defining act in modern Americana, headlining major festivals and touring with some of the biggest names in the scene.

They had built their career their way—without major label backing, without chasing trends, and without compromising their sound.

Now, they had:✅ Multiple #1 albums on the Billboard Bluegrass charts✅ A dedicated, die-hard fanbase across the world✅ A reputation as one of the best live bands in the business

And the road wasn’t over yet.

The Devil Makes Three: A Crossroads in the Storm (2020 – The Pandemic & Lucia’s Departure)

By early 2020, The Devil Makes Three had cemented their place as one of the most respected bands in the Americana and roots music world.

They had spent nearly two decades carving out their sound—gritty, rebellious, and deeply rooted in the traditions of folk, blues, and old-time music. Their latest album, Chains Are Broken (2018), had brought them into new sonic territory, introducing electric guitars and fuller production, yet they remained as raw and unfiltered as ever.

Graveyard - Recorded by gooch March 4 2025 Ace of Spades Sacramento CA

They were touring relentlessly, as they always had, playing to packed houses and devoted fans who sang along to every word. The live shows were their heart and soul. But just as another year of touring loomed ahead, the world changed overnight.

The Road Comes to a Halt (Early 2020)

By March 2020, COVID-19 shut down the music industry. Venues closed. Tours were canceled. The festival circuit—the lifeblood of bands like The Devil Makes Three—was wiped out in an instant.

For a band that thrived on the energy of the crowd, the stomp of boots on barroom floors, the sweat and chaos of a live set, this was an existential crisis. The road had been their home for nearly two decades. Now, suddenly, it was gone.

Like many musicians, they had to adjust. They played a few live-streamed shows, but it wasn’t the same. The Devil Makes Three was built for the road, and without it, something felt lost.

And then, in the midst of it all, came another blow.

Lucia Turino Says Goodbye

In late 2020, longtime bassist Lucia Turino announced she was leaving the band.

Lucia had been there since the very beginning. Her upright bass playing was a defining piece of the band’s sound—that deep, percussive thump that held everything together. But more than that, she was part of the family, a cornerstone of the trio’s chemistry.

After years of relentless touring, the pandemic gave her time to reflect, and she made the tough decision to step away from the road. She was ready for a different chapter in her life.

Fans were heartbroken, but there was nothing but love between Lucia and the band. She had been there for the entire journey—from the scrappy DIY tours to festival stages, from dive bars to sold-out crowds. Now, it was time for a new path.

With Lucia’s departure, the very foundation of The Devil Makes Three had shifted.

An Uncertain Future (Late 2020 - 2021)

For the first time in their career, Pete Bernhard and Cooper McBean faced the uncertainty of what came next.

Would they continue as The Devil Makes Three?Would they find a new bassist?

Would they even be able to tour again with the world still in chaos?

Everything was up in the air.

Half As High - Recorded by gooch March 4 2025 Ace of Spades Sacramento CA

But if there was one thing that had defined The Devil Makes Three from the beginning, it was their ability to adapt, to keep going against the odds.

The Devil Makes Three: Resurgence and Renewal (2022–2025)

In the wake of bassist Lucia Turino's departure in late 2020, The Devil Makes Three faced an uncertain future.

The pandemic had already halted their relentless touring schedule, and losing a foundational member added to the uncertainty. However, the band's resilience and commitment to their craft set the stage for a period of transformation and revival.

2022: Embracing Change with MorganEve Swain

Determined to continue their musical journey, founding members Pete Bernhard and Cooper McBean sought a bassist who could seamlessly integrate into their unique blend of Americana, folk, and blues.

Their search led them to MorganEve Swain, a seasoned musician known for her work with bands like Brown Bird. Swain's proficiency with the upright bass and her rich musical background made her an ideal fit for the trio.

With Swain on board, The Devil Makes Three embarked on a series of intimate performances, reintroducing themselves to audiences and testing new material. These shows not only solidified the new lineup but also rekindled the band's passion for live performance.

2023–2024: Crafting 'Spirits'

Inspired by their renewed synergy, the trio retreated to Dreamland Recording Studios in Hurley, NY, to work on new material.

I LOVE DOING DRUGS - Recorded by gooch March 4 2025 Ace of Spades Sacramento CA

Collaborating with producer Ted Hutt—renowned for his work with Dropkick Murphys and Old Crow Medicine Show—they aimed to capture the raw energy of their live shows while exploring new sonic territories.

The result was 'Spirits', a 13-track album that delved into themes of resilience, transformation, and the human experience. Scheduled for release on February 28, 2025, 'Spirits' marked their first studio album in seven years, following 2018's 'Chains Are Broken'.

2025: A Triumphant Return to the Stage

To coincide with the album release, The Devil Makes Three announced a world tour, signaling their return to the global stage. Partnering with the Bridge City Sinners as support, the tour was set to traverse multiple continents, bringing their revitalized sound to both longtime fans and new audiences.

The tour's announcement was met with enthusiasm, with pre-sales starting on October 23, 2024. Fans eagerly anticipated the opportunity to experience the band's new dynamics and the fresh tracks from 'Spirits' performed live.

Lights on ME - Recorded by gooch March 4 2025 Ace of Spades Sacramento CA

Legacy and Evolution

The period from 2022 to 2025 showcased The Devil Makes Three's ability to adapt and evolve. Embracing change with the addition of MorganEve Swain, they not only honored their roots but also ventured into new artistic realms. 'Spirits' stands as a testament to their enduring spirit and commitment to authentic storytelling through music.

As they embark on their 2025 world tour, The Devil Makes Three continues to solidify their legacy as innovators in the Americana scene, demonstrating that growth often arises from embracing change and facing challenges head-on.

Old Number Seven - And We Bid You Goodnight - Recorded by gooch March 4 2025 Ace of Spades Sacramento CA

The Legacy of The Devil Makes Three: Why They Stand Apart

For over two decades, The Devil Makes Three has carved out a space in the Americana and folk-punk scene that no one else quite occupies.

Their sound is deeply rooted in old-time blues, ragtime, and folk, yet infused with a punk ethos that makes their music feel raw, immediate, and unfiltered. While many contemporary Americana bands lean into polished production, The Devil Makes Three thrives in a gritty, boot-stomping, barroom storytelling tradition that feels both timeless and rebellious.

Spirits - Recorded by gooch March 4 2025 Ace of Spades Sacramento CA

Why They’re Unique

A Punk Soul in an Old-Time BodyWhile their instrumentation (guitar, banjo, upright bass) suggests traditional folk, their energy is pure punk attitude. They play with frenetic urgency, stripping away excess production and instead relying on the sheer force of rhythm, storytelling, and dynamic interplay.

Dark Storytelling & Gritty ThemesThe Devil Makes Three’s lyrics explore outlaws, sinners, lost souls, and broken dreams. Their songs often feel like dusty tales from a wandering bard,

blending dark humor, cautionary tales, and poetic tragedy—a style that resonates deeply with their devoted fanbase.

The Bullet - Recorded by gooch March 4 2025 Ace of Spades Sacramento CA

No Drummer? No Problem.One of their most defining traits for years was their ability to drive intense rhythms without percussion—a rarity in high-energy music. Instead, their upright bass and tight string work provided all the percussive force needed, making their sound more organic and unique.

DIY Ethics & Live Performance MagicFrom the beginning, The Devil Makes Three built their reputation on relentless touring, grassroots promotion, and an underground cult following rather than relying on mainstream radio play. Their live performances have always been the heartbeat of their success.

The Dark Gets the best of you - Recorded by gooch March 4 2025 Ace of Spades Sacramento CA

What to Expect Seeing Them Live Today (2025)

If you’ve never seen The Devil Makes Three live, be ready for a high-energy, immersive experience—even in their latest incarnation with MorganEve Swain on bass. Here’s what makes their live shows unforgettable:

A Raucous, Rowdy CrowdTheir fans don’t just watch the show—they become part of it. Expect to see boots stomping, people howling along to every lyric, and a room full of energy that turns any venue into an old-time barn-dance-meets-punk-rock-show.

The Groove-Heavy, Driving RhythmEven with their stripped-down setup, their ability to create infectious, relentless rhythms is unmatched. Pete Bernhard’s rhythmic guitar playing, Cooper McBean’s banjo flourishes, and Swain’s steady bass work make for a sound that feels bigger than the sum of its parts.

THere'll Be a jubilee - Recorded by gooch March 4 2025 Ace of Spades Sacramento CA

Setlist Balancing the Old and the NewFans can expect a mix of classics like “Old Number Seven,” “Graveyard,” and “Do Wrong Right,” alongside new material from their upcoming album Spirits (2025). The newer songs are expected to incorporate a slight evolution in sound while maintaining that signature DM3 grit.

No Flash, All SubstanceThere’s no over-the-top production, no fancy light shows—just three musicians, a few instruments, and raw musical power. Every show feels intimate, even in larger venues.

The Legacy They’re Building

With the release of Spirits and their 2025 world tour, The Devil Makes Three is proving that they’re far from done.

Their commitment to storytelling, their punk-meets-Americana ethos, and their ability to evolve without losing their core identity makes them one of the most authentic and respected acts in the folk/Americana world.

If you’re lucky enough to see them live this year, expect a gritty, foot-stomping, soul-shaking experience—one that reminds you why live music still holds its magic.